George IV: The Art Of Spectacle - Queen's Gallery

George IV: The Art Of Spectacle – Queen’s Gallery – Edward Lucie-Smith

The Queen’s Gallery, behind Buckingham Palace, is the place where the British Royal Collection Trust displays its treasures. The latest exhibition there – George IV: Art and Spectacle – is a particularly splendid example. George IV, alias the Prince Regent, was, next to Charles I, the greatest collector of art in the history of the British monarchy.

28 November 2019

Kiki Smith

Kiki Smith: Embodied Art – Revd Jonathan Evens

Kiki Smith creates an embodied art. She chose the human body as her subject because it is the one form that we all share; something with which each one of us has our own authentic experience. Her choice was informed by undertaking training to become an Emergency Medical Technician and also by the Catholicism of her upbringing.

26 November 2019

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x ANSELM KIEFER 'Superstrings, Runes The Norns, Gordian Knot' 

Anselm Kiefer: Everything is connected – Jude Cowan Montague

White Cube, in this instance, seems the perfect place for this exhibition. So perfect I feel it is over-designed. The perspex boxes of wires, cables are too perfectly matching, autumnal; this could be a fashion collection doesn’t Vogue recommend this kind of palette at this time of year, in tweed? Browns, rusts with a splash of turquoise? Nothing vulgar. Nothing synthetic. Organic colours.

25 November 2019

Steve McQueen

Steve McQueen: Year 3 – Tate Britain – Edward Lucie-Smith

I increasingly get the feeling that the two London Tates are struggling to know what to do with the huge central spaces that are a characteristic feature of both buildings. The new show at Tate Britain – Steve McQueen: Year 3 – is symptomatic of this, though it is in many ways a more successful solution to the problem than some of the previous ones.

19 November 2019

Three London Shows November 2019 – Edward Lucie-Smith

As the nation plunges towards Brexit, and, as the official galleries – specifically the two big London Tates – grow more and more self-satisfied and increasingly inclined to offer displays of civic virtue as substitutes for anything you can actually describe as art, one turns towards the commercial galleries for solace.

19 November 2019

FACT - You Feel Me Photo ©-Rob-Battersby

You Feel Me: A Place Without Division – FACT Liverpool – Alice Lenkiewicz

I found this latest exhibition at FACT Liverpool thought-provoking. It challenges the way we view the world and what we are being taught to believe. It encourages you to think about the possibilities of changing the limitations and constrictions imposed upon us through a contrived system of power and incivility that has been spoon-fed to us throughout our lives.

4 November 2019

Victoria Crowe

Victoria Crowe: Half Century Of Painting – Edinburgh – Clare Henry

Beauty. Not a word used much today. Not a popular concept. Not necessarily an accolade. Yet Victoria Crowe creates beauty with her every brushstroke, line, smudge, highlight, shadow. Superb draughtsmanship combined with a perfect painterly touch and humane sensitivity produces overarchingly intelligent pictures, rarely encountered in 21st-century art galleries.

20 October 2019

Gauguin National Gallery

Gauguin Not A Role Model For Our Time – Edward Lucie-Smith

Gauguin both is and isn’t a hero for our time. In one sense it’s brave of the National Gallery to mount a big show of his work in the /MeToo era. It’s hard to think of any artist, of the immediately Pre-Modern or Early Modern epochs, who behaved worse to women.

4 October 2019

Antony Gormley RA

Antony Gormley Plays With Our Perception of Space at RA

The Antony Gormley solo exhibition at the Royal Academy of Arts opens on 21 September. It’s a solo show rather than a retrospective but covers work from the 1970s to the present day. The exhibition fills all thirteen rooms of the Royal Academy’s Main Galleries bringing together both existing and specially conceived new works.

19 September 2019

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