Seoul, Korea — Frieze Seoul concluded its third edition on September 8th, 2024, with strong sales, an electric atmosphere, and audiences from all over Asia, Europe, and the United States. Running concurrently with Kiaf SEOUL, presented by the Galleries Association of Korea, both fairs took the pulsating creative energy of Seoul to new heights. This year, Frieze Seoul allowed one to have an extraordinary glimpse into the dynamic art of Korea while setting it up alongside international top galleries and exciting cross-cultural exchanges that light up the art world.
The event opened with an invitation-only preview on September 4th and featured a dynamic mix of galleries from the broader Asian region alongside central international spaces. Over four days, Frieze Seoul attracted 70,000 visitors from 46 countries, including top collectors and representatives from more than 130 leading museums and institutions. The fair also energized Seoul’s cultural scene with city-wide events. Gallery nights in Euljiro, Hannam, Cheongdam, and Samcheong featured extended hours at notable institutions, including Amorepacific Museum of Art, Art Sonje Center, Horim Museum, Ilmin Museum of Art, Leeum Museum of Art, Paradise Art Space, MMCA, Seoul Museum of Art, SONGEUN, and others.
Patrick Lee, Director of Frieze Seoul, stated: “This year’s Frieze Seoul has firmly established itself as a cornerstone event in the global art calendar, attracting exceptional energy and enthusiasm from local and international visitors. Our collaboration with Kiaf and the synergy with the Gwangju and Busan Headline Partner, Frieze Seoul biennials, have fostered a vibrant cultural dialogue. Together, these events have highlighted the depth and diversity of the Korean art scene. Frieze Seoul will undoubtedly continue to evolve, further shaping the cultural landscape of this dynamic city, and I am confident we have a strong and enduring future ahead.”
Sales Report
Major placements were made across all four days of the fair, with numerous significant sales made on the opening day and into the weekend. Hauser & Wirth reported the sale of Nicolas Party’s Portrait with Curtains (2021) for $2.5 million to a private collection in Asia, as well as two significant works by Louise Bourgeois: The Family, a gouache on paper, and Femme, a fabric and marble sculpture from 2003, which was sold for a seven-figure sum (USD). The gallery also secured major Avery Singer’s Free Fall placements for $575,000 and a Henry Taylor painting for $450,000. Party’s Triptych with Red Forest was also placed for $350,000, while Angel Otero’s work found a home for $285,000. Further notable placements included:
Works by Anj Smith for $215,000.
Catherine Goodman for $135,000.
Ambera Wellmann for $40,000.
A study by Flora Yukhnovich for £22,000.
PKM Gallery also saw early success with a Yoo Youngkuk painting sold for $1,500,000. The gallery reported strong interest in their other offerings, including two Chung Hyun bronzes that were placed for $28,000 and $20,000, respectively. Sprüth Magers had a successful run, placing several significant works. George Condo’s Self Portrait (2024), an acrylic and metallic paint on linen work, sold for $1.95 million to a private Asian collection. Anne Imhof’s Untitled (2024), an oil on canvas piece, sold for €250,000, while Hyun-Sook Song’s 7 Brushstrokes over 1 Brushstroke (2023) and 19 Brushstrokes (2021), both tempera on canvas, sold for €55,000 and €60,000, respectively, and also to private collections in Asia.
Pace Gallery placed numerous works, including selling a Lee Ufan painting for $1,200,000, while a Robert Indiana bronze sculpture sold for $550,000. Other vital transactions included a Robert Nava painting for $185,000, a multi-paneled work by Kenjiro Okazaki for $80,000, and several minor works by artists such as Torkwase Dyson and Alejandro Pineiro Bello. Thaddaeus Ropac also enjoyed a strong showing at the fair, placing a Georg Baselitz painting for €1,000,000 alongside other key works, including a Martha Jungwirth painting for €300,000, a Lee Kang-So piece for ₩250,000,000, a David Salle work for $50,000, a Heemin Chung painting for $32,000, and a Tom Sachs piece for $30,000. Further significant sales included Lee Bul’s Perdu CXIII (2021) for $190,000. Gagosian reported the sale of several new paintings by artists, including Sabine Moritz, Cy Gavin, Hao Liang, Rick Lowe, Ewa Juszkiewicz, and Derrick Adams, with works by Urs Fischer, Takashi Murakami, and Ed Ruscha also finding new homes. Notably, several of these acquisitions were made by prominent Korean museums.
Kukje Gallery also secured new homes for numerous works throughout the fair’s run, including a Haegue Yang artwork for between €41,000-€49,200, alongside two acrylic-on-canvas pieces by Sungsic Moon, which sold for ₩54,000,000-64,800,000. Other notable sales included numerous Heejoon Lee’s acrylic Headline Partner, Frieze Seoul
and photo-collage works for $8,100-$9,720, and two sculptures by Jean-Michel Othoniel for prices ranging from €70,000 to €111,600. A Julian Opie work was sold for €45,000-54,000, alongside several watercolours by Ugo Rondinone, which achieved prices between $50,000 and $66,000.
Further, Korean-owned galleries also saw significant success at the fair. Gallery Hyundai sold seven artworks by Jeon Joonho, ranging from $38,000 to $230,000. Johyun Gallery experienced a robust response, selling ten works by Lee Bae for $56,000 each, two acrylic-on-ceramic works by Park Seo-Bo for $120,000 each; a Moon Jar by Kwon Dae-Sup for $60,000; a painting by Lee Kwang Ho for $25,000; a painting by Jin Meyerson for $45,000; a sculpture by Kishio Suga for $11,000; and a work by Kim Chong Hak for $65,000. Leeann Gallery reported positive sales, with Kim Keun-Tai’s works selling for $34,000, Lee Jin Woo’s for $110,000, and Nam Tchun Mo’s for $37,000. Additionally, Jason Haam sold a Linn Meyers for $90,000 to a Seoul-based collection, a Moka Lee painting for $100,000 to a mainland Chinese collector, and an Amanda Baldwin painting for $45,000 to a Korean collector.
Jessica Silverman quickly reported a sell-out booth featuring Istanbul-born artist Hayal Pozanti, placing large-scale oil-stick on linen paintings such as Voices Whispering Secrets and Water of a New Life for $65,000, with more minor works also snapped up by collectors. Gladstone Gallery reported strong placements, including several $200,000 sculptures by Anicka Yi, whose solo show at the city’s Leeum Museum also opened this week. Two paintings by Salvo sold for $375,000 and $150,000, and multiple drawings by Keith Haring, each selling for $125,000. Additionally, several paintings by Ugo Rondinone were found to be buyers for $70,000-$170,000 each, while his watercolours were placed for $55,000 each. The gallery also saw success with works by Joeun Kim Aatchim, ranging from $11,000 to $22,000.
White Cube also achieved strong results throughout the week, selling a corten steel sculpture by Antony Gormley for £550,000, a Gabriel Orozco painting for $250,000 and a bronze Tracey Emin sculpture for £120,000 as well as a neon work for £90,000. Additional sales included two Damien Hirst paintings, Lepe Beach and Rye Bay (2019), each sold for $550,000, while Park Seo-Bo’s Ecriture No.220905 fetched $250,000. David Zwirner placed numerous significant works by international artists, including Gerhard Richter, Robert Ryman, Felix Gonzalez-Torres, Lucas Arruda, Francis Alÿs, Oscar Murillo and Katherine Bernhardt, continuing its strong presence at the fair. Lehmann Maupin enjoyed early sales, including several pieces by Kim Yun Shin and two works from Lee Bul’s Perdu series for $190,000 and $210,000, respectively. Other highlights included a sculpture by Marilyn Minter for $150,000-200,000 to a collector based in China, a new painting by Tammy Nguyen for $35,000 and works by Chantal Joffe and Do Ho Suh.
Lisson Gallery saw success with Hiroshi Sugimoto, selling several photographs for up to $406,800 and a Kelly Akashi sculpture for $55,000. The gallery also placed works by Sarah Cunningham and other represented artists. Meanwhile, Josh Lilley reported brisk sales, including a Nick Goss painting for $60,000 and a Timothy Lai painting for $35,000. Perrotin’s booth received constant attention, securing several sales, including a notable Takashi Murakami painting for $600,000. Nanzuka also attracted strong interest, selling pieces including a Daniel Arsham painting in the $100,000–$150,000 range.
In the Frieze Masters section, galleries showcased exceptional works that drew significant attention. Sales were led by Niki de Saint Phalle’s Nana Fountain in 1967, and Galerie Mitterrand sold it for between€600,000-700,000. Gana Art saw sales, including a significant bronze sculpture by Choi Jongtae for ₩100,000,000 and an oil painting by Lee Sang Guk for ₩70,000,000. Hakgojae Gallery featured a notable piece by Shing Sang Ho, which was acquired on the fair’s opening day by a major international institution. Axel Vervoordt Gallery highlighted the minimalist elegance of Raimund Girke, selling two pieces for €65,000 ($72,145) and $66,000.
Gallery Shilla caught attention with a painting by Hoon Kwak, fetching ₩298,000,000. Robilant+Voena secured a notable sale with Georges Braque’s early 20th-century sanguine for €55,000. Mazzoleni presented works, including an Agostino Bonalumi painting, sold for around $100,000. Lastly, DAG succeeded with a solo presentation of Sohan Qadri’s works, with prices ranging from $40,000 to $100,000.
Several galleries made notable sales in the Focus Asia section of Frieze Seoul. Cylinder successfully placed eight watercolor-engraved panels by Jonghwan Lee, with prices ranging from $1,200 to $5,700. A- Lounge reported the sale of two paintings by Cho Hyo Ri, which fetched $5,500 and $6,000 respectively. Kayokoyuki achieved a significant sale with a painting by Evelyn Taocheng Wang, which was acquired for $55,000 by a private collector. Additionally, Baik Art saw strong interest in Kyung Ryul Park’s works, selling five paintings to private collections at prices up to $5,000 each.
Frieze Stand Prize and Focus Asia Stand Prize
The Ho Chi Minh City-based gallery Galerie Quynh was awarded the Frieze Seoul Stand Prize in recognition of theirits booth featuring an installation by Vietnamese-American artist Tuan Andrew Nguyen. Nguyen’s presentation was selected by a jury of institutional directors and curators including Christopher Lew, Wassan Al-Khudhairi and Victoria Sung.
In the Focus Asia section, Tokyo Gallery Parcel won the Stand Prize for presenting Chinese artist LuYang’s animated film DOKU–The Flow. The exhibition marks the work’s Asian debut. LuYang’s presentation was selected by a jury comprising Lumi Tan, Victor Wang and Jee Young Maeng. NOROO supports the Focus Asia Stand Prize, the Official Paint Partner of Frieze Seoul. Focus Asia is presented in collaboration with Stone Island, who provide subsidies that help enable young galleries.’
What The Dealers Said
Max Falkenstein, Senior Partner, Gladstone Gallery: “We are so proud to have participated in the third edition of Frieze Seoul. It has been a consistently fantastic experience to be part of Seoul’s vibrant cultural and artistic atmosphere. The sales achieved this year were notable, particularly those of works by Wangechi Mutu, Ugo Rondinone, Salvo, Joeun Kim Aatchim, Richard Aldrich, and additionally of Anicka Yi, who recently had her first museum exhibition in Asia open at the Leeum Museum of Art. It has also been an exciting time for our artists in Seoul, with recently opened institutional exhibitions in the region by Claudia Comte at the K&L Museum, Rirkrit Tiravanija at the Leeum Museum of Art, and Philippe Parreno at the 15th Gwangju Biennale. We are incredibly grateful for the continued support and organization of Frieze, and we very much look forward to next year.”
Hyun-Sook Lee, Founder and Chairwoman of Kukje Gallery: “We are invigorated by seeing immense interest in contemporary art that seems to have continued. The preview day of the fair was filled with collectors from all around the world who responded with excitement for Korean contemporary artists, including Kibong Rhee, Kyungah Ham, Haegue Yang, Sungsic Moon, and Heejoon Lee, as well as international artists such as Ugo Rondinone, Jean-Michel Othoniel, and Julian Opie. Overall, our sales results prove that our local artists are competitive globally, which is a good sign for us with Frieze London in just a month.”
James Koch, Executive Director and Partner, Hauser & Wirth: “We had high expectations for Frieze Seoul this year, and they have been exceeded. Most of the exceptional works we placed on opening day have been acquired by respected collectors in South Korea and wider Asia, which was our goal for this fair. The incredible enthusiasm and engagement we’ve experienced is a true indication of the region’s highly informed and sophisticated audiences. We are thrilled to have placed new works by Rita Ackermann, Catherine Goodman, Angel Otero, Avery Singer and Flora Yukhnovich; recent important paintings by Henry Taylor and Anj Smith; and have found new homes for works by artists with major 2024 museum and institutional projects, such as Nicolas Party, whose first solo exhibition in South Korea just opened at Hoam Museum of Art; and Ambera Wellmann, whose works are also on view at Gwangju Biennale. The combined energy surrounding the fair and the city’s art week has been particularly marked this year, given the Gwangju Biennale and Busan Biennales. We’ve had many wonderful conversations with our network of respected museum curators and institutions and forged a constellation of new connections. The art ecosystem here is so vibrant, it’s a joy to experience.”
Samantha Rubell, President, Pace Gallery: “We’re continuing to see interest from great collectors, despite all the chatter about the “market”. We also noticed a considerably more international group of visitors this year. People were very excited to see artists who currently or recently have been included in major museum exhibitions, including Robert Indiana, Lee Ufan, Kylie Manning and Elmgreen and Dragset.”
Jessica Silverman, Founder and Owner, said: “Our return to Frieze Seoul has been a triumph. Our solo exhibition of paintings by Hayal Pozanti has sold out to many international collectors. This year, Pozanti’s participation in the Gwangju Biennale also demonstrates the global relevance of her sublime vision of the natural world.”
Rachel Lehmann, Co-Founder, Lehmann Maupin: “The energy at Frieze Seoul this year has been exceptional. Koreans came in full force, and we’ve had success placing works by our Korean artists, particularly with collectors from East and South East Asia, including a number of first-time buyers from the region. We’ve also seen several serious collectors and institutions from the US and Europe. Within the first few hours of the fair, we sold works by Korean artists Do Ho Suh, Lee Bul, and Kim Yun Shin, who all have major institutional moments this year. After a decades-long history of working with artists like Do Ho and Lee Bul and nearly seven years of operating a gallery in Seoul, we are grateful to be part of Korea’s growing and thriving art scene.”
Wendy Xu, General Manager, Asia, White Cube: “Now in its third year, Frieze Seoul has found its rhythm with a great flow to this year’s edition and very well attended by local and international collectors. Sales have been steady for us throughout the fair, and there has been a stronger interest level in our programme among local Korean collectors with several acquisitions, including pieces by Darren Almond, Marina Rheingantz, Park Seo Bo, Christian Marclay, Antony Gormley and Georg Baselitz. There has been an energetic atmosphere city-wide, with an extensive programme taking place alongside the fair, including the 15th Gwangju Biennale, participated by two of our artists, Marguerite Humeau and Marina Rheingantz. We were also delighted to participate in the Cheongdam night preview, hosting a successful opening for Gabriel Orozco’s solo exhibition at our permanent gallery space, which is celebrating its first anniversary and has been incredibly well received.”
Christopher D’Amelio, Senior Partner, David Zwirner: “The fair continues to grow, and Seoul is undeniably one of the Asian cities deserving of an international art fair of this calibre. We have had a successful first day seeing many of our Korean and regional clients and have placed works by Gerhard Richter, Robert Ryman, Felix Gonzalez Torres, Lucas Arruda, Francis Alys, Oscar Murillo, and Katherine Bernhardt, among others.”
Matthew Wood, Co-Founder of Mendes Wood DM, says, “We’ve had a great fair, placing a significant number of works from artists including Lucas Arruda, Eunnam Hong, Laís Amaral, Pol Taburet, and Paulo Monteiro with both private collectors and institutions here in Korea.”
Luigi Mazzoleni, Gallery Owner: “Since its inauguration three years ago, Frieze Seoul has become a staple of Mazzoleni’s fair programme, and we are delighted to have returned this year we’ve received significant interest in the works presented, particularly those by Agostino Bonalumi, the sculptures by Enrico Castellani, presented for the first time in a fair, and Nunzio. The vibrancy and enthusiasm of the collectors at Frieze Seoul are unmatched, and we’re thrilled to see many young, new collectors showing a rapidly growing interest in post-war Italian masters.”
Min Lee, Director of A-Lounge: “This is our second time participating in the Focus Asia section of Frieze Seoul. The relationships we’ve built this year and the people we’ve met have been incredibly beneficial. Last year, we had many buyers who were familiar with our artists, but this year, we’ve introduced Hyori Cho’s work to many new buyers and audiences, which has been very fruitful.”
Sébastien Carvalho, Director, Galerie Mitterrand: “For our first participation in Frieze Masters Seoul, we are very pleased with the reception of our stand dedicated to Niki de Saint Phalle. We sold the major booth work on the very first day and made many contacts with Korean collectors who were extremely enthusiastic about the works we presented. So we’re very optimistic about the future impact of the show.”
Phil Grauer, Partner, Canada: “Frieze Seoul this year was a constant buzz, we sold out our installation of Katherine Bradford paintings on the opening day and placed significant works by Luke Murphy and Katherine Bernhardt with Korean institutions.
Massimo De Carlo, Founder, MASSIMODECARLO: “MASSIMODECARLO presented figurative paintings by artists such as Diane Dal-Pra, Lenz Geerk, Tomoo Gokita, Jessie Homer French, France-Lise McGurn, and Mimmo Paladino, as well as various works by artists we represent including Shannon Cartier Lucy at the Frieze Seoul 2024. Visitors showed curiosity and eagerness to study even unfamiliar works, giving the impression that the Korean art market was diversifying and its base was expanding. This participation is even more meaningful as Elmgreen & Dragset, who have been working as the gallery’s exclusive artists for a long time, held a large-scale exhibition at the Amorepacific Museum of Art and received an overwhelming response after the gallery opened its Seoul studio earlier this year.”
Tina Kim, Founder, Tina Kim Gallery: “We had great success at Frieze Seoul and particularly saw a lot of enthusiasm for artists in the gallery program who have current or upcoming presentations. We placed works by Lee ShinJa, who currently has a solo show at my gallery in New York; Mire Lee, who was tapped for this year’s Hyundai Commission and will be unveiling her installation at Tate Modern’s Turbine Hall next month; and Suki Seokyeong Kang, who is slated to have a U.S. museum solo exhibition next year. Additionally, we sold works by Park Seo-Bo, Ha Chong-Hyun, ahead of his upcoming solo show at my gallery this November, and Pacita Abad, whose retrospective is travelling to the Art Gallery of Ontario.
Dorian Bergen, ACA Galleries: “It’s our second year participating at the fair, and it’s been hectic; coming back a second time meant that we were able to forge relationships last year that have resulted in more meaningful interactions this year in an impactful way. We’ve seen a great presence of Curators and Directors from American institutions, specifically from New York.”
Woo Chankyu, President of Hakgojae Gallery, says, “Frieze is making an essential contribution to establishing Seoul as a world-class city and a mature cultural hub.”
Lee JoonYub, Director, Gallery Shilla: “This is my first time participating in Frieze, and I did not expect sales at the fair. However, unexpectedly, sales were good at the fair, and the exhibition opening in Seoul during the same period also sold well, so I am happy that the role of the fair is connected to the exhibition.”
Ashish Anand, CEO and MD, DAG: “The choice of Sohan Qadri for Frieze Masters at Seoul was strategic for our debut at the fair. His works have a truly global appeal and have gathered much interest amongst visitors today, appealing particularly to collectors and art lovers in Seoul. Sales enquiries have been strong, endorsing Qadri’s appeal as well as that of modern Indian art across geographies.’
Lee Jung, Executive Director of Gana Art: “We’ve had an incredible experience at Frieze Seoul this year, surpassing last year’s success. Sales have been strong throughout the week, and we’re excited to have placed several significant works by artists including Yoo Youngkuk, Choi Jongtae, and Lee Sang Guk.”
Doo Yong Ro, Director of Cylinder: ‘It’s great to see lots of people from different fields at Frieze Seoul. In particular, it’s great that institutions and museums are interested in our gallery’s programme. Being in the Focus Asia section is fantastic, especially for our artist, Jonghwan Lee. Jonghwan is based in Seoul, so it has been wonderful to introduce him to international audiences.”
Katy Murata, Nanzuka: “This is our second time participating, but this year, we’ve sold lots more and had many Korean and Japanese clients; as we’re based in Tokyo, these are so important for us, and we’re delighted.”
Susan Baik, Director of Baik Art: “The Frieze team have been great to partner with. We appreciate that they’re very supportive of participating artists and galleries. We’re also very grateful to Stone Island and have had an amazing experience collaborating with them.”
Anthony Allen and Alexis Johnson, Partners, Paula Cooper Gallery: “We were very pleased with this edition of Frieze Seoul. The combination of the Gwangju, Busan and MediaCity Biennials and important museum shows around the city meant that contemporary art was at the forefront this week. We received a great response to our presentation of Paul Pfeiffer’s Incarnation (a portrait of Justin Bieber interpreted by sculptors of religious icons). We sold works by Pfeiffer, Tauba Auerbach, Sarah Charlesworth, Julian Lethbridge, Sol LeWitt, Nam June Paik and Henry Taylor to Korean, American and European clients.”
Attendees
Both local and international exhibitors reported significant sales across the opening day, and the fair saw a substantial audience. Notable attendees included artists, collectors, institutional leadership, and cultural figures: Sehoon Oh (Mayor of Seoul), Yong Ho-seong (Head of International Cultural Affairs and Public Relations Office at the Ministry of Culture, Sports and Tourism) Choung Byoung Gug (Chairperson of the Arts Council Korea), Aisha AlAhmadi, Wassan Al-Khudhairi, Manuela Ammer, Baby Monster, Alvaro Barrington, Tobias Berger, Klaus Biesenbach, Ulanda Blair, Connie Butler, Ellie Buttrose, Diana Campbell Betancourt, Evan Chow, Marisa Chearavanont, Carolyn Christov-Bakargiev, Elizabeth Chun, Heemin Chung, Ha Chong Hyun, Leontine Coelewij, Stuart Comer, Vivian Crockett, Jose Diaz, Brian Donnelly (Kaws), Diana Freundl, Massimiliano Gioni, Michael Govan, Peggy Gou, Carson Guo, Subodh Gupta, Maja Hoffmann, Joshua Hong (SEVENTEEN), Carol Huh, Huh Joon- hong, Huh Yun-jin (Le Sserafim), Hyun Jeongeun, Eleanor Soo-ah Hyun, Eliel Jones, Eungie Joo, Lee Joo-bin, Joo Won, Anna Katz, Clara M Kim, Bettina Korek, Sara Krajewski, Kim Bum Soo, Kim Jae Joon, Kim Kulim, Jeon Jong Seo, Jeon Somi, Woong-Yeul Lee, Jungmin Lee, Lee Soo-hyuk, Lim Seul Ong, Marcella Lista, Jessica Morgan, Lucas Morin, Frances Morris, Chung Mong-gyu, Chung Mong- joon, Nana, Ong Puay Khim, Park Eunyoung, Park Hae-jin, Bojana Piškur, Rain, Roy Kim, Ro Hong Chul, Sojin (Girls Day), Song Hye-gyo, Alain Servais, Jasper Sharp, Beatrix Ruf, Margit Rosen, Christine Starkman, Birde Tang, The8, The Oketa family, Patrick Sun, Victoria Sung, Vicki Sung- yeon Kwon, Sarah Suzuki, Philip Tinari, Hans Ulrich Obrist, Jovanna Venegas, Victor Wang, Mariet Westermann, Yukako Yamada, Kulapat Yantrasast, Christina Yu Yu and Yolande Zola Zoli van der Heide.
Institutional Attendees
The 2024 edition of Frieze Seoul also saw attendance from over 130 institutions and museum groups, with representatives from the following and more attending across the event’s four-day run: Amorepacific Museum of Art (South Korea), Arumjigi Culture Keepers Foundation (South Korea), Arts Council Korea (South Korea), Busan Biennale (South Korea), Busan Museum of Art (South Korea), Centre Pompidou (France), Daelim Museum (South Korea), Dia Art Foundation (United States), Gwangju Biennale Foundation & International Biennial Association (South Korea), Guggenheim Abu Dhabi (United Arab Emirates), Ilmin Museum Of Art (South Korea), Institute of Contemporary Arts (ICA) (United Kingdom), Kansong Art and Culture Foundation (South Korea), K11 Art Foundation (Hong Kong), Leeum, Samsung Museum Of Art (South Korea), Los Angeles County Museum of Art (LACMA) (United States), Louvre Abu Dhabi (United Arab Emirates), M+ Museum for Visual Arts and Culture (Hong Kong), M Woods (China), MoMA PS1 (United States), Mori Art Museum (Japan), Museum of Contemporary Art, Los Angeles (MOCA LA) (United States), Museum of Modern Art (MoMA) (United States), National Museum Of Modern And Contemporary Art, Korea (MMCA) (South Korea), New Museum of Contemporary Art (United States), Pinault Collection (France), Seoul Museum of Art (South Korea), Serpentine Galleries (United Kingdom), Solomon R. Guggenheim Museum (United States), Songeun (South Korea), Space K (South Korea), Stedelijk Museum Amsterdam (Netherlands), Tate (United Kingdom), Tate Modern (United Kingdom), Ullens Center For Contemporary Art (UCCA) (China), SF MoMA (United States).
Top Photo: Baik Art, Focus Asia at Frieze Seoul 2024. Photo by Let’s Studio. Courtesy Frieze and Let’s Studio.