Lost Francis Bacon Nude Discovered On The Back Of St Ives Paintings

Francis Bacon discovered

A lost and unfinished nude by Francis Bacon discovered on the reverse side of two paintings by the Irish artist Tony O’Malley is up for auction at Christies South Kensington. Bacon started working on the figure in St Ives, Cornwall in the late 1950s, but when the artist cut short his visit following an argument with this partner, he abandoned the work, among many others. The Modern British & Irish Art sale at Christie’s South Kensington on 17 March will include the two early paintings which feature the Bacon when turned over and joined together. The canvas was divided and painted on by O’Malley who created two scenes on the opposite sides: Currach, Clare Island and Evening Landscape Tehidy Hospital. For years these works were separated, residing in the collections of two different owners. Now these paintings, and the lost Bacon study, will be reunited and viewed together for the first time in almost 60 years, when the public pre-sale viewing opens on 12 March at Christie’s South Kensington. They will be offered in the Modern British & Irish Art auction on 17 March with an estimate of £20,000-30,000. 

In September 1959, Bacon travelled to St Ives to work on a series of paintings for his exhibition at the Marlborough Gallery in March 1960. Bacon’s stay in St Ives occurred during a significant stage of transition in the artist’s career, where he experimented with colour and technique, readdressing how he located the figure in space. Whilst working in St Ives, Bacon rented 3 Porthmeor Studios, from the sculptor William Redgrave and his wife Mary, known as ‘Boots’, in a row of studios previously occupied by tenants including Ben Nicholson and Terry Frost. Intending to stay for six months, Bacon’s visit was cut short after a turbulent argument with his then partner Ronnie Belton. When clearing the studio Boots gave away many of Bacon’s discarded works to friends who would re-use the materials. It has been reported that O’Malley was approached by a dealer who propositioned him to ‘complete’ the Bacon, which he refused to do and split the board in two, while others recount that the board was cut to suit O’Malley’s preference for working on smaller sized boards. 

The two halves of Bacon’s Figure were first displayed together when an image of the joined paintings was shown at Tate St Ives’s 2007 exhibition Francis Bacon in St Ives. This March will be the first time that the two paintings are displayed together in public. Figure will be included in the forthcoming catalogue raisonné of Francis Bacon, to be published in April 2016.