Gormley And Hodgkin: Collaborate For Sadler’s Wells 20th Anniversary Programme

Howard Hodgkin design for Mark Morris's Layla and Majnun; Mark Morris Dance Group at Lincoln Center 2017 (c) Beowulf Sheehan - 102_preview

Sadler’s Wells has announced 20 landmark commissions to mark the 20th anniversary of its popular London theatre. Antony Gormley and the late Howard Hodgkin, Natalia Osipova, Mark Morris, William Forsythe, Sharon Eyal and Akram Khan are among the internationally acclaimed artists presenting new work, which will be produced or co-produced by Sadler’s Wells in 2018.

Sadler’s Wells embraces the finest talent from all over the world representing artists at every stage in their career

Sadler’s Wells’ current theatre is the sixth building to have stood on the Islington site since Richard Sadler first established a theatre there in 1683. The venue has played a vital role in the history of theatre ever since, with The Royal Ballet, Birmingham Royal Ballet and English National Opera having all begun life there. Since 2005 Sadler’s Wells has brought more than 150 new works to the stage, and its productions have been seen by over 1.7 million people.

Antony Gormley design for Sidi Larbi
Antony Gormley design for Sidi Larbi

“Sadler’s Wells under Alistair’s directorship has become a generating engine of new forms of dance and the collaborations and the artists that he has as associates of Sadler’s Wells has made it a community, a creative community that is agenda setting.

I think what the Olympic site gives Alistair, Sadler’s Wells and dance as a whole, is a new laboratory in a new part of London. The fact that there are other institutions that are going to be there, that there will be cross over between dance, music and fine art – this is exactly what should be happening across art forms, a sense of a community, a varied diverse community of interests that are cross-fertilising.

Sadler’s Wells is where you go to get inspired, just being energised by this extraordinary display of intelligent bodies, extraordinary music, an architecture of sound irradiated by wonderful surprising movement – it’s the best thing.” – Anthony Gormley, Ambassador

Howard Hodgkin design-for Mark Morriss Layla
Howard Hodgkin design-for Mark Morriss Layla and Majnun

The 20 works to mark the anniversary year are:

Pure Dance, a programme of work produced by Sadler’s Wells for superstar ballerina Natalia Osipova (12 – 16 September), including two new works commissioned for her by Alexei Ratmansky and Iván Pérez, and featuring special guest American Ballet Theater Principal dancer David Hallberg.

World renowned American choreographer William Forsythe presents A Quiet Evening of Dance (4 – 6 October). Produced by Sadler’s Wells, this is his first full evening presentation since he closed the Forsythe Company in 2015, and includes two new works.

The UK premiere of Layla and Majnun, a collaboration between Mark Morris, Howard Hodgkin and Yo-Yo Ma’s Silk Road Ensemble which tells the story of the Middle Eastern Romeo and Juliet (mid-November).

Icon, a new work by Sidi Larbi Cherkaoui with Antony Gormley that explores concepts of icon and iconoclasm, with a set made from 3.5 tonnes of clay (late November)

Dystopian Dream, a theatrical realisation of Nitin Sawhney’s acclaimed 2015 album of the same name, co-devised with Honji Wang and Sébastien Ramirez (26 – 28 November)

For XENOS, Akram Khan gives his final ever solo performances in a full-length work, telling the tale of an Indian colonial soldier in the First World War (29 May – 9 June),

Used To Be Blonde, is the world premiere of a new commission by newly appointed Sadler’s Wells Associate Artist Sharon Eyal for the National Youth Dance Company (7 April at Sadler’s Wells, then touring)

Renowned Cloud Gate Dance Theatre of Taiwan presents Lin Hwai-min’s new work Formosa (9 -12 May), the last full-length production by Hwai-min before he retires in 2019.

Jazz Refreshed musicians will be part of a new dance commission for the theatre’s annual international hip hop dance theatre festival Breakin’ Convention, marking its 15th anniversary in 2018 (5 – 7 May)

Reckonings features new work by Julie Cunningham, Alesandra Seutin andBotis Seva, and marks the anniversary week itself (12-14 October)

Also in the anniversary week, a mixed bill by Sadler’s Wells’ newly appointed Young Associate artists Anthony Matsena, Wilhelmina Ojanen, Ruby Portas and Christopher Thomas (9-10 October) for the Lilian Baylis Studio

Associate Artist Jasmin Vardimon presents a new work in October

Company of Elders, Sadler’s Wells’ resident over 60s performance group, presents new work by Holly Blakey, Adrienne Hart and Seeta Patel (6 July)

BalletLORENT presents Liv Lorent’s Rumpelstiltskin, retold by Poet Laureate Carol Ann Duffy, as part of Sadler’s Wells’ annual Family Weekend (30 & 31 March)

Also during Family Weekend, upsidedowninsideout, by Melbourne-based company One Step At A Time Like This, will see families dive into secret spaces in Sadler’s Wells not usually accessible to the

Rambert2 presents a mixed bill in November, including Sharon Eyal’s Killer Pig

In the Lilian Baylis Studio Mavin Khoo presents From Man to Monk- Part 1

New Wave Associate Wilkie Branson presents the film installation TOM

Jefta van Dinther presents a new work

Eva Recacha presents a new work, a duet for two women

Sadler’s Wells Artistic Director and Chief Executive Alistair Spalding said: ‘At Sadler’s Wells we don’t just present dance performances, we make dance happen. We embrace all forms of dance here, reflecting the dance traditions of the world at the same time as reflecting the way the world is today. It’s a tradition of the new, whether that be ideas, ways of making dance, discovering dance, or creating new collaborations. So it’s absolutely right that we celebrate our anniversary with “20 for 20”: 20 commissions representing the finest talent from all over the world and artists at every stage of their career.’
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