Pilar Corrias presents Blue goes away, Sojourner Truth Parsons’s first solo exhibition with the gallery.
Parsons’s new paintings act as indices for moments of intensity and intimacy. Through her use of rich, vibratory tones, the artist locates and extracts fleeting details from our quietest moments: the subtle interactions of light, the flickering of memory and thought.
The artist’s new body of work has emerged in symbiosis with the growth of her garden and the changing of the seasons. The paintings were created partly in response to Louise Glück’s poetry, where the garden is often employed as an allegorical space within which life, in all of its profound and prosaic registers, is tended and nurtured. The garden’s cycle – the tedium of dormancy, the miracle of resurrection, rampant growth turning into grief – comes to stand for hard-to-grasp states of mind.
Parsons responds to these logics of frenetic expansion and wildness, using desire as a guiding principle. Intense emotions become anchored to the objects observed in her everyday routine, from the lily pads in her garden, to the patch of light that faithfully appears each day in her bedroom. Walking through her garden and a nearby forest allows the artist to observe how colours and refractions of light move across a visual scale, and the chromatic nuance as twilight turns to darkness.
