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Vanessa Prager: Soft Serve Painting – Interview Paul Carter Robinson

Vanessa Prager: Soft Serve Painting – Interview Paul Carter Robinson

by News Desk | Oct 11, 2018 | Features

‘Soft Serve’ is the title of American artist Vanessa Prager’s first London solo show at Kristin Hjellegjerde. The artist dishes up a series of sculptural portraits and figures as colourful, dripping, melting realities, oozing with thick sculptural...
Frieze Week 2018 Through The Shredder – Zoltan Alexander

Frieze Week 2018 Through The Shredder – Zoltan Alexander

by News Desk | Oct 11, 2018 | Features

During Frieze Week 2018, overshadowing hundreds of art events throughout the city, a history-making incident occurred when Banksy’s iconic painting “Girl With Balloon” was auto-shredded by its own picture frame just minutes after the hammer came down at £1.04m, at...
Black Mirror: Art as Social Satire – Saatchi Gallery – Edward Lucie-Smith

Black Mirror: Art as Social Satire – Saatchi Gallery – Edward Lucie-Smith

by News Desk | Oct 10, 2018 | Reviews

Black Mirror presents itself as ‘Art as Social Satire’, and there is indeed a real black mirror in the show. Made of coal, it is the work of the Chilean artist, Alejandra Prieto. As with a number of other items included, it is not wholly easy to see how directly it...
Mat Collishaw Exhibits Elizabeth I Inspired Installation In Greenwich

Mat Collishaw Exhibits Elizabeth I Inspired Installation In Greenwich

by News Desk | Oct 10, 2018 | News

A major new installation by internationally acclaimed British artist, Mat Collishaw has been unveiled at The Queen’s House, Greenwich. The specially commissioned work, The Mask of Youth, responds directly to one of the most important paintings in the Museum’s...
Anni Albers Weaves Her Way Into Art History – Tate Modern

Anni Albers Weaves Her Way Into Art History – Tate Modern

by News Desk | Oct 9, 2018 | Reviews

Quite frankly, Anni Albers is a peculiar choice for a Tate Modern solo exhibition.  I realise the lines between fine and the applied arts have been blurred and barriers are no longer an issue, but this show at best is a room and not a full-fledged exhibition worthy of...
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