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The Background To The Boom And Other Tales – Edward Lucie-Smith

The Background To The Boom And Other Tales – Edward Lucie-Smith

by News Desk | Mar 19, 2018 | Reviews

Three very different books that somehow reflect different facets of the same situation. The most obvious relevant – the title tells the tale – is Georgina Adam’s The Dark Side of the Boom, subtitled The Excesses of the Art Market in the 21st Century (Lund Humphries)....
Tacita Dean’s Triple Header Implicit Nostalgia And History – Sue Hubbard

Tacita Dean’s Triple Header Implicit Nostalgia And History – Sue Hubbard

by News Desk | Mar 17, 2018 | Reviews

Film is Tacita Dean’s medium. Not that catch-all of so many contemporary artists, video, but analogue film with all its implicit nostalgia and history. Although Tacita Dean emerged in the 90s, at the height of conceptualism, she’s always been essentially a Romantic....
John Copeland: The Return Of  Exuberant Painterliness – Edward Lucie-Smith

John Copeland: The Return Of Exuberant Painterliness – Edward Lucie-Smith

by News Desk | Mar 12, 2018 | Reviews

John Copeland is an American painter in his 40s, not it seems particularly well known in his own country. Born in California, he now lives and works in New York. He is represented by a gallery in Denmark, but not, apparently, by one in his own country. Currently, he...
High Society: Four Centuries Of Lavish Portraiture – Rijks Museum – Paul Carter Robinson

High Society: Four Centuries Of Lavish Portraiture – Rijks Museum – Paul Carter Robinson

by News Desk | Mar 11, 2018 | Reviews

It’s always such a treat to visit the Rijks Museum in Amsterdam. Not only does the collection contain some of the most important paintings by Rembrandt (The Night Watch) and Vermeer (Woman Reading a Letter) but their curated exhibitions program has depth and...
Cerith Wyn Evans: Perceiving The Artist’s Searing Duchampian Neon – Paul Black

Cerith Wyn Evans: Perceiving The Artist’s Searing Duchampian Neon – Paul Black

by News Desk | Mar 9, 2018 | Reviews

The internationally acclaimed Welsh artist Cerith Wyn Evans has unveiled his latest work; a major new neon sculpture at National Museum Cardiff. ‘Radiant fold (…the Illuminating Gas)’ (2017/18), has been created by the artist specifically for the museum, and is the...
Picasso’s Unspoken Minotaur In The Room – Tate Modern – Edward Lucie-Smith

Picasso’s Unspoken Minotaur In The Room – Tate Modern – Edward Lucie-Smith

by News Desk | Mar 7, 2018 | Reviews

The hosannas have already begun. Picasso’s latest show at Tate Modern, entitled Picasso 1932: Love, Fame, Tragedy gets a 5-star review in The Times. Nestling up close, on the same page, there is a carefully exculpatory text headed ‘Picasso wasn’t a monster, says...
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