Christo Launches Mastaba His First UK Public Artwork

Christo Launches Mastaba His First UK public Work At The Serpentine

To coincide with a new exhibition of Christo and Jeanne Claude, at the Serpentine Gallery, the 83 year old artist has launched his amazing London Mastaba, a temporary sculpture in Hyde Park. The work of art consists of 7,506 horizontally stacked barrels on a floating platform in the Serpentine Lake. It will be on view until 23 September 2018 and is Free to visitors.

“The colours will transform with the changes in the light and its reflection on the Serpentine Lake will be like an abstract painting” – Christo

The London Mastaba is the first major outdoor public work by Christo in the UK, and it coincides with an exhibition at the Serpentine Galleries of Christo and his late wife Jeanne–Claude’s work, which opens 19 June and continues until 9 September 2018. Today’s launch was attended by Christo, Serpentine Galleries Chairman Michael R. Bloomberg, London Deputy Mayor for Culture and the Creative Industries Justine Simons, The Royal Parks Chairman Loyd Grossman, Serpentine Galleries CEO Yana Peel and Artistic Director Hans Ulrich Obrist. Both The London Mastaba and exhibition are free to the public – no tickets or reservations are required.

Christo Mastaba 2018
Christo ‘Mastaba’ Photo: P C Robinson © Artlyst 2018

“For three months, The London Mastaba will be a part of Hyde Park’s environment in the centre of London,” said Christo. “The colours will transform with the changes in the light and its reflection on the Serpentine Lake will be like an abstract painting. It has been a pleasure to work with The Royal Parks to realize The London Mastaba and with our friends at the Serpentine Galleries to create an exhibition showing Jeanne-Claude’s and my 60-year history of using barrels in our work.”

“The Serpentine is known for pushing artistic boundaries and celebrating bold experimentation — and that is the spirit that Christo and Jeanne-Claude exemplify,” said Michael R. Bloomberg, Serpentine Galleries Chair. “As a free museum, the Serpentine is also a fitting place to celebrate two of the greatest public artists of our time. Public art draws people together, starts conversations and attracts visitors who support local businesses and generate revenue for cities. The London Mastaba is sure to bring these benefits to London, just as The Gates did in New York City.”

The construction of Christo’s temporary sculpture began on 3 April 2018 by JK Basel, Deep Dive Systems, and Coventry Scaffolding as well as a team of engineers from Schlaich Bergermann Partner. The London Mastaba consists of 7,506 horizontally stacked barrels on a floating platform, 20 metres (65.5 ft) high x 30 metres (90 ft) wide (at the 60° slanted walls) x 40 metres (130 ft) long. Standard 55 gallon barrels, 59 x 88 cm (2 ft x 3 ft), were fabricated and painted for the sculpture. The sides of the barrels, visible on the top and on the two slanted walls of the sculpture, are red and white. The ends of the barrels, visible on the two vertical walls, are blue, mauve and a different hue of red.

The sculpture’s floating platform is made of interlocking high-density polyethylene (HDPE) cubes and is held in place with 32 6-tonne anchors. The barrel-supporting substructure consists of scaffolding and a steel frame that connects to the floating platform. The sculpture’s total weight is 600 tonnes and its footprint takes up approximately 1% of the total surface area of the lake.

All construction materials are certified as having low environmental impact to preserve the ecosystem of the lake. The removal of the sculpture will begin on 23 September 2018. While some equipment and materials, such as scaffolding, have been rented and will be returned, the other materials will be removed and industrially recycled in the UK following the project. The London Mastaba is being entirely funded by Christo, through the sale of his original works of art. No public money is used for Christo’s projects and he does not accept sponsorship.

Look out for Edward Lucie-Smith’s Review Here on Artlyst

Read Edward Lucie-Smith’s Review Of Christo’s Mastaba Here


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