Mark Wallinger Unveils Maquette For Ebbsfleet Mega Horse Sculpture

Mark Wallinger

Mark Wallinger, the Turner Prize winning artist (2007) has unveiled the Maquette for a mega-sculpture of a horse, on the Mall today. The statue will stand alongside the A2 and be visible from Eurostar trains entering and leaving the country. The project team will now concentrate on finishing the fundraising that will be necessary to complete the project. The white horse has so far been funded by Land Securities, London, Continental Railways and Eurostar, who have injected the initial £1m to get the project started.

The companies announced the commission of the £15m marble/resin statue in 2007, however the plans were shelved as a result of the UK  recession, which began shortly after the project was announced. The artist says he hopes his new sculpture will help “prod” funding for the bigger version: “It was always going to be wholly privately funded and then the economic crash came just after the announcement of the winner.”The aim of the project is to create a high profile marker for the Ebbsfleet Valley and Ebbsfleet International Railway Station.

Mark Wallinger Unveils Maquette For Ebbsfleet Mega Horse Sculpture

Mark Wallinger, The White Horse. Photo: © the artist, image courtesy Anthony Reynolds Gallery, London

Wallinger is a painter, sculptor and video artist. He studied in London at the Chelsea School of Art (1978–81) and Goldsmiths College (1983–5). From the mid 1980s his work has addressed the traditions and values of British society, its class system and organised religion. The range of approaches he has adopted reflects his wish to have a broad appeal and highlights his roots in a tradition of British left-wing thought. In the early 1990s he began using a personal enthusiasm for horse racing as a theme through which to explore issues of ownership and pedigree.

In the late 1990s Wallinger shifted his focus to a questioning of institutionalised spirituality and religion. The skepticism and irreverence of his work, typical of his humorous observational approach, were downplayed in a later public sculpture commissioned for the Fourth Plinth in Trafalgar Square: Ecce Homo (marbleised resin, barbed wire, gold leaf, 1999). Close to the edge of the massive stone plinth, Wallinger placed a life-sized cast of a young man representing Christ being presented by Pontius Pilate to the Judeans. This work suggested contemporary relevance for themes of suffering and redemption, and a plea for racial and religious tolerance. Wallinger has described his approach in terms of the address of the chorus to the audience in classical Greek theatre, suggesting both an authentic absorption and personal investment in the work as well as a real critical distance. Wallinger was shortlisted for the Turner Prize in 1995. If completed, the sculpture will be 33 times larger than a real horse. It will stand just five feet short of Nelson’s Column. – Wow!


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