A new work by the elusive graffiti artist Banksy has been confirmed in Nottingham. The work outside a beauty salon is on the junction of Rothesay Avenue and Ilkeston Road in Lenton, a popular residential area for students that are currently in lockdown.
The work depicts a girl with hula-hoop made from a bicycle tyre
It went up on Tuesday, next to a bicycle that is missing its back wheel. A working week of speculation over whether the piece was a Banksy ensued and a Plexi-screen was fitted to it just in case it was an original by the master of stencil art. Soon after, the screen was sprayed with graffiti. A picture of the work was posted on Banksy’s Instagram (today) Saturday morning. Last July, a Banksy artwork encouraging people to wear face masks appeared on a Tube train in London.
Banksy started as a freehand graffiti artist in 1990–1994 as one of Bristol’s DryBreadZ Crew (DBZ), with two other artists known as Kato and Tes. He was inspired by local artists and his work was part of the larger Bristol underground scene with Nick Walker, Inkie and 3D During this time he met Bristol photographer Steve Lazarides, who began selling Banksy’s work, later becoming his agent. By 2000 he had turned to the art of stencilling after realising how much less time it took to complete a work. He claims he changed to stencilling while hiding from the police under a rubbish lorry when he noticed the stencilled serial number and by employing this technique, he soon became more widely noticed for his art around Bristol and London. He was the goalkeeper for the Easton Cowboys and Cowgirls football team in the 1990s and toured with the club to Mexico in 2001. Banksy’s first known large wall mural was The Mild Mild West painted in 1997 to cover advertising of a former solicitors’ office on Stokes Croft in Bristol. It depicts a teddy bear lobbing a Molotov cocktail at three riot police.
Banksy’s stencils feature striking and humorous images occasionally combined with slogans. The message is usually anti-war, anti-capitalist, or anti-establishment. Subjects often include rats, apes, policemen, soldiers, children, and the elderly.
In July 2011 one of Banksy’s early works, Gorilla in a Pink Mask, which had been a prominent landmark on the exterior wall of a former social club in Eastville for over ten years, was unwittingly painted over after the premises became a Muslim cultural centre.
On 19 July 2002, Banksy’s first Los Angeles exhibition debuted at 331⁄3 Gallery, a tiny Silver Lake venue owned by Frank Sosa and was on view until 18 August. The exhibition, entitled Existentialism, “An Exhibition of Art, Lies and Deviousness” was curated by 331⁄3 Gallery, Malathion LA’s Chris Vargas, Funk Lazy Promotions’ Grace Jehan, and B+. The flyer of the exhibition indicates an opening reception was followed by a performance by Money Mark with DJ’s Jun, AL Jackson, Rhettmatic, J.Rocc, Coleman Some of the paintings exhibited included Smiley Copper H (2002), Leopard and Barcode (2002), Bomb Hugger (2002), and Love is in the Air (2002).
In 2003, at an exhibition called Turf War, held in a London warehouse, Banksy painted on animals. At the time he gave one of his very few interviews, to the BBC’s Nigel Wrench. Although the RSPCA declared the conditions suitable, an animal rights activist chained herself to the railings in protest. An example of his subverted paintings is Monet’s Water Lily Pond, adapted to include urban detritus such as litter and a shopping trolley floating in its reflective waters; another is Edward Hopper’s Nighthawks, redrawn to show that the characters are looking at a British football hooligan, dressed only in his Union Flag underpants, who has just thrown an object through the glass window of the cafe. These oil paintings were shown at a twelve-day exhibition in Westbourne Grove, London in 2005.
Banksy, along with Shepard Fairey, Dmote, and others, created work at a warehouse exhibition in Alexandria, Sydney, for Semi-Permanent in 2003. Approximately 1,500 people attended.