John Stezaker Explores Groundbreaking Paul Nash Landscapes In New Curated Exhibition

Winter Sea, 1925-1937, by Paul Nash, copyright Tate London 2015.

A new exhibition curated by John Stezaker at York Art Gallery this autumn explores Paul Nash’s ground-breaking inter-war landscapes which transformed the genre of British landscape painting.

The violent upheaval of the pastoral and romantic landscape caused by the First World War had a significant effect on Nash and his work that followed reflected this. In this unique exhibition, Stezaker considers how Nash and his contemporaries portrayed an estranged sense of unreality focused on the representation of the everyday world. Stezaker explores this new lease of life for landscape painting in the post war period, highlighting the profound influence Nash has exerted over artists throughout the twentieth century and still today.

The exhibition will also include works by Stezaker including new landscapes created in response to the themes of the uncanny landscape.

A private collection of rarely seen Nash drawings, paintings, photographs, and ephemera will also be on display.

John said: “Paul Nash’s work represents a watershed in British landscape painting. His First World War paintings are probably his most famous works. But it was in the immediate aftermath of the war when Nash was working in Dymchurch, that a much more disturbing spatial order emerged.  A dystopia created by the technological clearing of war, it represented a new variety of the uncanny in the dominated landscape of post war Britain.

John Stezaker Garden I, 2016 Collage Copyright John Stezaker. Courtesy The Approach, London. Photo: FXP photography
John Stezaker Garden I, 2016 Collage


Nash felt a kinship with his surrealist contemporaries like Giorgio de Chirico and Rene Magritte. But his particular contribution to British art was to keep this estranged sense of unreality focused on the representation of the everyday world rather than on inner worlds or fantasy spaces. “ The exhibition draws on loans from public and private collections, as well as works from York Art Gallery’s own collection. Nash’s works will be featured alongside art by Stanley Spencer, John Nash, Edward Burra, William Townsend, Henry Lamb, Sydney Carline, Tristram Hillier and Cecil Collins.

A second gallery will show Stezaker’s works, including recent landscape works which demonstrate Nash’s influence. Stezaker, who won Deutsche Borse photography prize in 2012, creates surreal and seductive photographic collages using images from books, magazines, and postcards. The landscapes draw on the geometric patterns and “uncanny” nature of Nash’s works, combing different images to create new scenes that both fascinate and unnerve. Just like Nash’s work 100 years ago, Stezaker’s works present us with a shift in attitude towards art and the landscape as well as an unfamiliar look at the familiar.

A third gallery will show loans of pictures, photographs, and memorabilia relating to Nash from a personal private collection. It includes around 50 works and artefacts which give a unique insight into the life of Paul Nash and his brother John.

John Stezaker (British, b.1949) is one of the leading artists in contemporary photographic collage and appropriation. Employing vintage photographs, old Hollywood film stills, travel postcards and other printed matter, Stezaker creates seductive and fascinating small-format collages that bear qualities of Surrealism, Dada, and found art. Indeed, in referring to the large compendium of images he has collected, Stezaker asserts that the images “find him,” not the other way around. With surgical-like precision, Stezaker excises, overlays and conjoins distinct images to create new personalities, landscapes, and scenes.

Like Paul Nash, John Stezaker studied at the Slade School of Art and taught at the Royal College of Art in London. In September 2012, he was awarded the Deutsche Börse photography prize. Stezaker’s work has been exhibited internationally since the 1990’s and has been adopted in renowned museum collections around the world such as the Museum of Modern Art, New York, London, and the Tate Modern, London.

Image Inset: Winter Sea, 1925-1937, by Paul Nash, copyright Tate London 2015. Untitled, 2016, by John Stezaker, Collage, 8 x 8 5/8 in. (20.3 x 22 cm) Copyright John Stezaker. Courtesy The Approach, London. Photo: FXP photography. Top Image: Winter Sea, 1925-1937, by Paul Nash, copyright Tate London 2015.

Paul Nash and the Uncanny Landscape: An exhibition curated by John Stezaker York Art Gallery York 20 October 2017 – 15 April 2018

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