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Abstract Expressionism The Dark Triumph Of American Art By Edward Lucie Smith

Abstract Expressionism The Dark Triumph Of American Art By Edward Lucie Smith

by News Desk | Sep 22, 2016 | Reviews

The new Abstract Expressionism show that just opened in the main galleries of the Royal Academy at Burlington House, is an absolutely splendid affair. If you can only see one exhibition during a day out in London, see this one, and leave Tate Modern on the other side...
Revolution South Kensington: Edward Lucie-Smith Recalls The 1960s Phenomena

Revolution South Kensington: Edward Lucie-Smith Recalls The 1960s Phenomena

by News Desk | Sep 9, 2016 | Reviews

The V&A’s new, all singing all dancing exhibition has a cumbersome title: You Say You want A Revolution? – Records and Rebels 1966-1970. As the title itself indicates, it does nevertheless cover a very short space of time – less than a decade. I can’t say I was...
Is Old Fanny Bacon Turning In Her Grave? By Edward Lucie-Smith

Is Old Fanny Bacon Turning In Her Grave? By Edward Lucie-Smith

by News Desk | Sep 3, 2016 | News

The person who rode herd on Frances Bacon during the time that he was represented by the Marlborough Gallery – insofar, that is to say, as anyone could, in fact, ride herd on that raffish old queen – was an upright (some say uptight) lady called Valerie Beston. Since...
There’s No Business Like Art Business Like No Business I Know by Edward Lucie-Smith

There’s No Business Like Art Business Like No Business I Know by Edward Lucie-Smith

by News Desk | Aug 27, 2016 | News

I’m looking forward to the Art Business conference due to be held at Church House here in London on Thursday 1st December and hope to report on what is said there. However, looking at the programme, some aspects of it seem to dodge important issues. It’s all well and...
Appropriation In Art – Part of a Belief System By Edward Lucie- Smith

Appropriation In Art – Part of a Belief System By Edward Lucie- Smith

by News Desk | Aug 15, 2016 | News

In recent years the word ‘appropriation’ has become a fashionable, obliquely commendatory term used in discussions of contemporary art. The implication is that making use of a borrowed image is somehow a radically original thing to do. The less you change that image,...
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