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Matisse vs The Multi-Cultural Multi-Ethnic 21st Century Art World – Edward Lucie-Smith

Matisse vs The Multi-Cultural Multi-Ethnic 21st Century Art World – Edward Lucie-Smith

by News Desk | Aug 11, 2017 | News

I went to see the R.A.’s new Matisse show, but not at the press view, as I was abroad. I did go very shortly after it opened. Not unexpectedly, it was jammed with visitors, and I mean jammed. You had to dodge round backs to get a proper view of some of the smaller...
Arabic calligraphy Another Islamic Winner Saatchi Gallery – Edward Lucie-Smith

Arabic calligraphy Another Islamic Winner Saatchi Gallery – Edward Lucie-Smith

by News Desk | Aug 1, 2017 | Reviews

Hot on the heels of the Princess Zeid show at Tate Modern, which runs until October 8th, is a much smaller and shorter-lived exhibition at the Saatchi Gallery, by an artist also Middle Eastern, royal, and female, which runs only until August 18th. The artist is...
Jamaican Spiritual Art And Its Relationship To Religion By Edward Lucie-Smith

Jamaican Spiritual Art And Its Relationship To Religion By Edward Lucie-Smith

by News Desk | Jul 8, 2017 | Reviews

A small confession to make here: I wrote a brief text for the catalogue of this show because Jamaica is where I originally come from. The subject of the exhibition is Jamaican art, manifested in its relationship to religion. The feeling is not absolutely always...
G.F. WATTS – Not Quite Michelangelo By Edward Lucie-Smith

G.F. WATTS – Not Quite Michelangelo By Edward Lucie-Smith

by News Desk | Jul 6, 2017 | Reviews

The Watts Gallery, near Guilford, with one of very few art spaces in Britain that is basically dedicated to a single artist. Equivalents, perhaps, are Leighton House in Kensington, the Stanley Spencer Gallery in Cookham, and maybe – just maybe – Damien Hirst’s...
Fahrelnissa Zeid: In Pursuit of the Exotic Tate Modern – Edward Lucie-Smith

Fahrelnissa Zeid: In Pursuit of the Exotic Tate Modern – Edward Lucie-Smith

by News Desk | Jun 22, 2017 | Reviews

I confess I had a few reservations about the Fahrelnissa Zeid retrospective now at Tate Modern. It follows a now rather familiar pattern of box-ticking, apparent from a number of the exhibitions recently put on by Tate institutions. When the Taties are not trying to...
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