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Jasper Johns: Who Am I? A Retrospective By Edward Lucie-Smith 

Jasper Johns: Who Am I? A Retrospective By Edward Lucie-Smith 

by News Desk | Sep 22, 2017 | Reviews

Often enough in his career, Jasper Johns has issued statements that say in effect: ‘Who am I? The truth is that I don’t think I really know the answer myself.’ Does this retrospective at the R.A. answer the question? Maybe not quite. This exhibition offers a very...
Matisse Cultural Appropriation And His Studio RA Review By Sue Hubbard

Matisse Cultural Appropriation And His Studio RA Review By Sue Hubbard

by News Desk | Aug 1, 2017 | Reviews

The artist’s studio is both a practical workshop and the workshop of the mind, a place of reflection and play, of doubt and hard work. At first a modest collector of modest means, Matisse filled his studio with objects collected on his travels to create a stage-set of...
Marguerite Horner Explores Humanity When People Are Faced With Trauma

Marguerite Horner Explores Humanity When People Are Faced With Trauma

by News Desk | Apr 30, 2017 | Previews

Marguerite Horner is a doer! She is one of the more active painters on the London art scene today whether it be the Royal Academy Summer Exhibition or one of the many pop-up shows that Artlyst champions. Her work isn’t easily slotted into a category other than...
Tate Modern And Royal Academy Visitors Rise By Over A Million

Tate Modern And Royal Academy Visitors Rise By Over A Million

by News Desk | Mar 27, 2017 | News

The British Museum was again the most popular visitor attraction in the UK in 2016 for the 10th year running. The figures published annually by the Association of Leading Visitor Attractions (ALVA) has shown that even though numbers at some of London’s most popular...
Crash Goes The American Dream c1930 RA Unveil Timely Painting Exhibition

Crash Goes The American Dream c1930 RA Unveil Timely Painting Exhibition

by News Desk | Feb 26, 2017 | Reviews

Exhibitions in major galleries are usually planned years ahead. So it is the Royal Academy’s good fortune that their two excellent shows Revolution: Russian Art 1917-32* and American After the Fall: Painting in the 1930s, should be so in tune with the current...
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