This summer, experience extraordinary sculptures by Louise Bourgeois, Eva Hesse and Alice Adams at The Courtauld Gallery. Three pioneering artists of the 20th century who, in 1960s New York, produced startling new bodies of work, turning modern sculpture on its head.
This major exhibition foregrounds their shared commitment to using humour and abstract form to ask important questions about sexuality and bodies.
The influential critic and curator Lucy Lippard dubbed this kind of work ‘abstract erotic’, and in 1966, Bourgeois, Hesse, and Adams were the only women artists included in Lippard’s ground-breaking exhibition Eccentric Abstraction. Prior to the emergence of the women’s movement, these artists engaged with a feminist politics of the body with their visceral, playful, and abstract forms in materials such as latex, expanding foam, string, and plaster. As Lippard later reflected, ‘I can see now that I was looking for “feminist art”’.
This is the first time The Courtauld will stage an ambitious group exhibition of this kind, with abstract sculpture filling the gallery spaces in bold and unconventional ways. Abstract Erotic features important loans from distinguished public and private collections in Europe and America, many of which are rarely seen due to their inherent fragility.
Alongside iconic 20th century artists Bourgeois and Hesse, the exhibition celebrates Alice Adams, whose extraordinary sculptural works of the 1960s are of equivalent power and originality. This is the first exhibition of her work in the UK and most substantial in a museum context.
