9 February 2022

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Tatsuo Miyajima: Art in You

9 February 2022

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Portals

7 February 2022

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Postwar Modern: New Art in Britain 1945-1965

7 February 2022

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Yu Ji: Against Shadows

7 February 2022

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Vik Muniz: A Brief History of Art

1 February 2022

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Glenn Ligon An Open Letter

1 February 2022

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Jimmy DeSana and Laurie Simmons: Double Trouble

1 February 2022

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Sujin Lee

1 February 2022

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Creating Abstraction

20 January 2022

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Whistler’s Woman in White: Joanna Hiffernan

20 January 2022

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Holly Hendry: Fatty Acids

20 January 2022

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Sarah Ball

19 January 2022

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Cromwell Place Exhibitions January-March 2022

19 January 2022

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Karel Appel

19 January 2022

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Francis Bacon: Selected Graphics

18 January 2022

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Just…As an Artist

18 January 2022

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Beatrix Potter: Drawn to Nature

18 January 2022

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Surrealism Beyond Borders

18 January 2022

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A Century of the Artist’s Studio: 1920 – 2020

18 January 2022

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KAWS: New Fiction

17 January 2022

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Rosemarie Trockel: Why gravel, Ms Smith?

17 January 2022

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Fausto Melotti Theatre

17 January 2022

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Ed Clark: Without A Doubt

17 January 2022

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Rose Wylie: Car and girls

17 January 2022

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Patrick Heron, Shaping Colour: Prints 1956–1999

17 January 2022

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Isamu Noguchi: A New Nature

17 January 2022

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Wang Gongxin: In-Between

17 January 2022

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Caro and North American Painters

17 January 2022

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Rachel Feinstein: Mirror

12 January 2022

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Louise Bourgeois: The Woven Child

12 January 2022

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Van Gogh Self-Portraits

12 January 2022

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Set and Reset by Trisha Brown