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What The Art World Will Look Like Post Plague – Edward Lucie-Smith

What The Art World Will Look Like Post Plague – Edward Lucie-Smith

by News Desk | Feb 17, 2021 | News

What’s up for art here in London, once the pandemic is finally over? Will we all be able to go back to the state of things as they were, in the jolly days before the plague? Right now everything is still shut up tight. Avant-gardism and populism were beginning to fall...
National Gallery’s 200th Birthday Revamp –  Derelict IKEA To Become Coventry Arts Centre – New Laws To Protect Historic UK Statues

National Gallery’s 200th Birthday Revamp – Derelict IKEA To Become Coventry Arts Centre – New Laws To Protect Historic UK Statues

by News Desk | Feb 16, 2021 | News

National Gallery Seeks Architect For 200th Birthday Revamp The National Gallery has announced it is seeking a multi-disciplinary design team to work with it on a suite of capital projects to mark its Bicentenary, with an initial phase to be opened in 2024. A welcome...
A New York Gallery Field Trip February 2021 – Ilka Scobie

A New York Gallery Field Trip February 2021 – Ilka Scobie

by News Desk | Feb 14, 2021 | Reviews

Unlike London, New York galleries are open for business. After my first Covid jab last week, a wave of cautious optimism motivated me to hit the frigid downtown streets. Luckily, this gallery field trip coincided with a dear friend’s much-heralded solo show, an...
Damien Hirst Gagosian Gallery Takeover – John Moores Painting Prize Shortlist

Damien Hirst Gagosian Gallery Takeover – John Moores Painting Prize Shortlist

by News Desk | Feb 11, 2021 | News

It’s not as if Damien Hirst lacks space in London, especially when it comes to exhibiting his own work. Between his superb Caruso St John, designed Newport Street Gallery and his private subterranean gallery in Regent’s Park, Damien has plenty of wall...
Noah Becker: Apprehensive/Emancipatory — Raphy Sarkissian

Noah Becker: Apprehensive/Emancipatory — Raphy Sarkissian

by News Desk | Feb 10, 2021 | Features

Heteromorphic in its composition and heterochronic in its theme, “The Collector’s Ranch” (2019-20) of Noah Becker exhibits a phantasmal pastoral setting interjected by human figures donning garbs from bygone eras and our time. Along with the farm animals and houses...
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