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Mona Hatoum: Emotional Formalism – Jude Cowan Montague

Mona Hatoum: Emotional Formalism – Jude Cowan Montague

by News Desk | Sep 29, 2019 | Reviews

Burnt-out domesticity. Chicken-wire with burnt-black wood wedged inside in the shape of the chair. The absence of the people who populated the kitchen who peopled this house represented by the shapes of the different sized seats. There is a dresser on the opposing...
Do The Undone: John Giorno at Sperone Westwater – Ilka Scobie

Do The Undone: John Giorno at Sperone Westwater – Ilka Scobie

by News Desk | Sep 28, 2019 | Reviews

“I had an idea in the late sixties, like putting my poems on matchboxes. I wanted to do poems on marble. I was a poet, but not in the art world. Five years ago, Jean de Loisy asked twelve artists to do things at Chateau de Versailles, outside of Paris. He specifically...
Amy Sherald: The Heart of the Matter – Hauser & Wirth NY – Ilka Scobie

Amy Sherald: The Heart of the Matter – Hauser & Wirth NY – Ilka Scobie

by News Desk | Sep 28, 2019 | Reviews

“I want to be my own connection to America,” Amy Sherald tells the rapt audience, at her spectacular inaugural show at Hauser & Wirth. The compelling portrait show depicts youngish people who pop from their monochromatic backgrounds. I have the power to create...
Mark Leckey: The Power of Bleakness – Tate Britain – Edward Lucie-Smith

Mark Leckey: The Power of Bleakness – Tate Britain – Edward Lucie-Smith

by News Desk | Sep 24, 2019 | Reviews

Having just opened an exhibition devoted to the work of William Blake, who is, for all his eccentricities, a representation of art as we used to know it, Tate Britain has now – with one suspects a corporate sigh of relief – returned to a genre now increasingly beloved...
Yassine Balbzioui – James Ostrer – Kristin Hjellegjerde London – Jude Cowan Montague

Yassine Balbzioui – James Ostrer – Kristin Hjellegjerde London – Jude Cowan Montague

by News Desk | Sep 23, 2019 | Reviews

Yassine Balbzioui/James Ostrer – Kristin Hjellegjerde London: Masked figures in balaclava style hats, only their eyes visible peer directly at the viewer from the round and oblong canvases. Green is the dominant background colour. Plants and lawns, and green...
Damien Hirst Butterfly Genocide – White Cube – Edward Lucie-Smith

Damien Hirst Butterfly Genocide – White Cube – Edward Lucie-Smith

by News Desk | Sep 22, 2019 | Reviews

Damien Hirst’s show Mandalas, at White Cube Mason’s Yard, has already attracted indignant commentary in The Times. Rachel Campbell-Johnson’s review, which covered the best part of two facing pages, carried the indignant headline: “I, for one, would be ashamed to own...
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