Steyerl’s immersive installation The Tower (2015) focuses on the making of the video game Skyscraper: Stairway to Chaos by the Ukrainian company Ace3D, based on Saddam Hussein’s unrealised plans to
Steyerl’s immersive installation The Tower (2015) focuses on the making of the video game Skyscraper: Stairway to Chaos by the Ukrainian company Ace3D, based on Saddam Hussein’s unrealised plans to reconstruct the Tower of Babel in Babylon, the ancient capital that he began rebuilding in the 1980s.
Part of an origin myth explaining the development of different languages, the Tower of Babel has come to symbolise the hubris of humans aspiring to godliness and the chaos resulting from an inability to communicate. As the game developer describes in voiceover, the Skyscraper is a contemporary analogue to the Tower that connects to other dimensions, much as Steyerl’s film merges the virtual with reality. Precariously situated in a conflict zone, which he describes as a ‘1 km ride by tank’ from the Russian border, the developer explains how he has become part of a global network of technology firms, remotely contracted by European companies who outsource labour to cheaper economies, drawing attention to the physical labour underpinning digital culture.
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