Taken from the title of a Joni Mitchell song, Jorinde Voigt’s third solo exhibition with Lisson Gallery fuses music and visual art, revealing the artist’s cross-disciplinary and multidimensional approaches to
Taken from the title of a Joni Mitchell song, Jorinde Voigt’s third solo exhibition with Lisson Gallery fuses music and visual art, revealing the artist’s cross-disciplinary and multidimensional approaches to large-format drawing, culminating in a live, immersive performance produced in collaboration with musician Beatrice Dillon. From her organisational systems of scores, notations, chapters and verses to the time signatures, impulse points and rhythmic inscriptions embedded in her drawings, Voigt – who herself trained as a cellist – creates a synaesthetic world through these interrelated compositions.
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