White Cube’s second exhibition by the leading exponent of the Dansaekhwa movement, Park Seo-Bo. This exhibition will feature Park’s signature ‘Ecriture’ series of paintings, which have remained his focus for
White Cube’s second exhibition by the leading exponent of the Dansaekhwa movement, Park Seo-Bo. This exhibition will feature Park’s signature ‘Ecriture’ series of paintings, which have remained his focus for the past fifty years. However, this exhibition foregrounds one particular group within the overall series, informally referred to as the ‘zigzag’ paintings, which were produced between the mid-1980s and early 1990s, as well as a number of his most recent ‘Ecriture’ works.
Park’s work draws on the history of Western abstraction in painting, as well as the tradition of Korean calligraphy, enabled by an introspective methodology that has its origins in Taoist and Buddhist philosophy. First begun in the late 1960s, the ‘Ecriture’ series embrace this spiritual approach and are inextricably linked to notions of time, space and material, concepts which underpin all of the artist’s work.
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