Reviews
Marcel Duchamp: Relevance, Indifference And The Next Generation of Proteges
For Marcel Duchamp, the cracks that appeared in his work The Large Glass (The Bride Stripped Bare by Her Bachelors, Even) during transit in 1926...
Memory and Identity Explored in 4 New London Photography Shows
Thomas Zanon-Larcher, Nicolle, Smithfield I, London, May 2009 Courtesy of the Artist and Wapping Project Bankside (above) There’s a bunch of...
Contemporary Art Brazil: More Than Just A Carnival In 2013
Carnival is is fast approaching and besides the traditional Brazilian party, the entire country will feature important established and emerging...
Carl Andre: Is That All There Is To Art?
My work doesn't mean anything. It is just the presentation of the materials in the clearest form I can make it. - Carl Andre 2013 "Art Is What The...
Juergen Teller Iconoclast on the Wane ICA London – Review
It is telling that the centrepiece of the Juergen Teller retrospective now on at the ICA is a trio of very large nudes featuring Vivienne Westwood,...
DANIEL LERGON’S PROJECT OF THE UNIVERSE BEYOND THE BINARY
Paul Carey-Kent takes a look at the young German artist Daniel Lergon and uncovers the impressive narrative of Lergon's work over the past decade...
William Scott Retrospective Opens At Tate St Ives
The eagerly awaited William Scott retrospective exhibition opened to the public yesterday at Tate St Ives, the first stop on a three city touring...
Death: A Subject For Art And Debate Wellcome Collection London
So it falls to me to review “Death” so soon after the death of someone I knew. His name was Chris Jones, who died in a car accident on Sleaford...
London Art Exhibitions Explore Unusual Materials In February Lineup – Review
Paul Carey-Kent discovers copious use of fresh new materials in this months London gallery art offerings. Maybe there’s no such thing as an unusual...
Manet Portraits: The Blurred Boundaries Between Portrait and Genre Painting – Review
Edouard Manet is one of the best-known and influential figures in the development of modern art, yet somehow, the Royal Academy’s “Manet: Portraying...
The Deceptively Deep Francesco Clemente – Review
Francesco Clemente found fame as part of the Neo-Expressionist movement of the late 1970s and early 1980s, or the ‘transavanguardia’ as their early...
Photo50 An Illuminating Meditation On Photography And Memory
This year’s Photo50 at the London Art Fair provided, yet again, a diverting and fascinating escape from the throngs browsing the fair below. In the...