Reviews

James Ferris: 5050 @ Limoncello - INTERVIEW & REVIEWSo here’s a novel idea: an exhibition of 100 paintings, with the first work to be sold...

The VIP Art Fair – the the world’s first exclusively online art fair – opens to the public today: but is it a viable alternative...

The Body in Women’s Art Now: Part 3 – ReCreation @ Rollo Contemporary – REVIEWContemporary artists have been rather slow on the...

REVIEW – David Shrigley’s major new exhibition Brain Activity reveals depth beneath the one-liner  Turns out, I had David Shrigley...

Tate Britain’s Migrations brings together an engaging collection of works from over a period of 500 years, but lacks real coherenceMigrations...

Turner and the Elements exhibition arrives at Margate’s Turner Contemporary, and reminds us of the literal truth in the expression;...

Raphael Hefti @ Camden Arts Centre – REVIEWSwiss artist Raphael Hefti’s first solo show in the UK is both smart and visually beguiling....

Hanne Darboven @ Camden Arts Centre – REVIEWThe first UK solo exhibition of the late German artist Hanne Darboven is daunting, overwhelming,...

Working Papers: Donald Judd Drawings, 1963-93 @ Spruth Magers - REVIEWA giant of American Minimalism, and an early advocate of the idea that it is...

Pietro Ruffo: The Political Gymnasium @ Blain/Southern – REVIEWItalian artist Pietro Ruffo, having recently been awarded the Premio Cairo...

Gary Hume: The Indifferent Owl @ White Cube - REVIEWThe White Cube (Mason’s Yard and Hoxton Square) presents us with an exhibition of new...

 Zarina Bhimji @ Whitechapel Gallery - REVIEWZarina Bhimji, tjhe Uganda-born artist nominated for the 2007 Turner Prize, presents an incredible...