Reviews

Thomas Ruff: ma.r.s. and nudes @ Gagosian Gallery - REVIEW The two exhibitions at the London Gagosian galleries consist entirely of photographs. But...

Gilbert & George: London Pictures @ White Cube - REVIEW This week White Cube bedecks the world with the largest series ever made by iconic...

On The Edgware Road @ Serpentine Gallery - REVIEW This exhibition is the visual manifestation of work conducted under the aegis of the Edgware Road...

Lines of Thought @ Parasol Unit – REVIEW ‘Lines of Thought’ is the current exhibition at Parasol Unit (that beautiful space in Angel with brick...

Weighted Words @ Zabludowicz Collection - REVIEW I have always been wary about the use of words in art. This philosophy follows the logic that art...

Beatrix-Blaise Jacot takes a trip to Uptown 57th street, and gives the lowdown on what’s hot right now... A recent visit to New York and things are,...

Alighiero Boetti: Game Plan @ Tate Modern – REVIEW Amid the flurry of spectacular publicity for the psychedelic hyped-up hyper show that is the...

Lucian Freud: Drawings @ Blain/Southern – REVIEW ‘Everything is autobiographical. Everything is a portrait’ Freud claimed of his own work. Yet the...

  New Fourth Plinth sculpture by Elmgreen & Dragset unveiled today by Joanna Lumley; but what does it all mean? The new artwork to top...

Yayoi Kusama: New Paintings @ Victoria Miro – REVIEW To coincide with the major retrospective of Yayoi Kusama’s work currently showing at Tate...

Jeremy Deller: Joy in People @ Hayward Gallery - REVIEW Joy in People is the world’s first retrospective of Turner Prize winner Jeremy Deller – an...

Paul Carey-Kent Reviews ‘I AM THE LAW’ at Ritter/Zamet, London: 18 Jan – 31 March 2012 This show brings together two naturally collaborative...