Reviews

 Exhibition devoted to Georg Karl Pfahler, the German representative of ‘Hard-Edge Painting’ – a style popularised by the...

 SNPG £17.6m restoration project breathes new life into prestigious collection‘Ladies and Gentlemen, there are very many stories we...

In cutting out the middleman and helping artists sell directly to art buyers, does The Other Art Fair provide a real alternative to the established...

Review of Louise Lawler’s No Drones at Sprüth Magers, her first solo show in the UK for four yearsLawler's photographs capture artworks...

 Ancient mummy coupled with latest medical technology produces stunning contemporary art at the Ashmolean Museum, OxfordAfter walking through...

 We review the show dedicated to the work of two contemporary Swedish artists Cecilia Edefalk and Gunnel WåhlstrandEdefalk presents us...

Alex Hartley, the artist responsible for the controversial Nowhere Island Olympic project, proves his salt at Victoria MiroAlex Hartley: The World...

ArtLyst reviews Lee Maelzer's first solo show at Poppy SebireThe Hypnosis of Error is Lee Maelzer's first solo exhibition and takes place, quite...

All Visual Arts presents Alastair Mackie’s Copse, an instantly appealing piece of formal design, no more and no lessAlastair Mackie’s...

Promising 1982 Young Contemporary emerges from the wildernessSince she first exhibited in the ICA’s 1982 Young Contemporaries show alongside...

 Paul McCarthy’s energetic new London exhibition at Hauser & Wirth does not disappoint, turning out to be one of 2011’s...

Ellen Altfest’s White Cube exhibition ‘The Bent Leg’ grants viewers with intimate but uninspiring look at the male...