Reviews

Mondrian//Nicholson: In Parallel @ Courtauld Gallery - REVIEW The two modernist painters Piet Mondrian – one of world’s most celebrated 20th century...

Picasso & Modern British Art @ Tate Britain - REVIEW It pays to be a little wary of the ‘[artist] and [category].’ exhibition format, whereby...

East Wing X: Material Matters @ Courtauld Institute of Art - REVIEW Every other year, coming on for two decades, the Courtauld Institute of Art has...

Blockbuster Lucian Freud Portraits exhibition opens at the National Portrait Gallery, tracing a life-time’s encounter with human flesh The press...

Major retrospective for Yayoi Kusama at Tate Modern reveals fundamental continuity behind the dazzling diversity of a six decade career ‘This is the...

James Ferris: 5050 @ Limoncello - INTERVIEW & REVIEW So here’s a novel idea: an exhibition of 100 paintings, with the first work to be sold and...

The VIP Art Fair – the the world’s first exclusively online art fair – opens to the public today: but is it a viable alternative to the real thing?...

The Body in Women’s Art Now: Part 3 – ReCreation @ Rollo Contemporary – REVIEW Contemporary artists have been rather slow on the up-take when it...

REVIEW – David Shrigley’s major new exhibition Brain Activity reveals depth beneath the one-liner   Turns out, I had David Shrigley all wrong. No...

Tate Britain’s Migrations brings together an engaging collection of works from over a period of 500 years, but lacks real coherence Migrations is a...

Turner and the Elements exhibition arrives at Margate’s Turner Contemporary, and reminds us of the literal truth in the expression; ‘Turner was a...

Raphael Hefti @ Camden Arts Centre – REVIEW Swiss artist Raphael Hefti’s first solo show in the UK is both smart and visually beguiling. Claiming to...