Reviews

 Richards solo show at Chisenhale Gallery reveals the oh-so-grey void behind our vernacular visual landscapes For his solo exhibition at...

 ICA’s Autumn exhibition of art-market-darling Jacob Kassay, his first in a public gallery. Review - Jacob Kassay exploded onto the...

After the success of its 2010 debut SUNDAY Art Fair is back to challenge the hegemony of the Sharp-Slotover Frieze machine. Frieze’s most...

 Barbican Art Gallery opens its OMA/Progress architectural exhibition   Review - Architecture exhibitions are notoriously difficult,...

‘New Sensations’ exhibition upstaged by ‘The Future Can Wait’, but both lack punch Two schemes for emerging artists, both...

The Shock Of The Old Invades Berkeley Square You’ve seen this year’s major exhibitions, now’s your chance to recreate them in...

FILM: a low-tech love letter to the magic of cinemaFor the twelfth commission in the Tate Modern Unilever Series, and the first to be devoted to the...

Review of Camden Arts Centre Autumn Exhibitions Today, Camden Arts Centre opens two exciting new exhibitions: Nathalie Djurberg’s A World...

Review - This autumn, the Tate pays tribute to one of Britain’s art pioneers – Barry Flanagan (1941-2009). Achieving international...

Review - In The Tomb of the Unknown Craftsman, Turner Prize-winning artist Grayson Perry invites us on a pilgrimage: saluting the...

Panorama - Tate Modern's most exciting and significant exhibition this yearGerhard Richter stated today – at the opening of his major...

Review - Pipilotti Rist’s new exhibition at Hayward, ‘Eyeball Massage’, is an aptly named sight for sore eyes. This major survey...