Reviews

Richards solo show at Chisenhale Gallery reveals the oh-so-grey void behind our vernacular visual landscapes   For his solo exhibition at Chisenhale...

ICA’s Autumn exhibition of art-market-darling Jacob Kassay, his first in a public gallery.   Review - Jacob Kassay exploded onto the contemporary...

After the success of its 2010 debut SUNDAY Art Fair is back to challenge the hegemony of the Sharp-Slotover Frieze machine. Frieze’s most dangerous...

Barbican Art Gallery opens its OMA/Progress architectural exhibition   Review - Architecture exhibitions are notoriously difficult, because the one...

‘New Sensations’ exhibition upstaged by ‘The Future Can Wait’, but both lack punch   Two schemes for emerging artists, both launched in 2007,...

  The Shock Of The Old Invades Berkeley Square   You’ve seen this year’s major exhibitions, now’s your chance to recreate them in your...

  FILM: a low-tech love letter to the magic of cinema For the twelfth commission in the Tate Modern Unilever Series, and the first to be...

Review of Camden Arts Centre Autumn Exhibitions Today, Camden Arts Centre opens two exciting new exhibitions: Nathalie Djurberg’s A World of Glass,...

Review - This autumn, the Tate pays tribute to one of Britain’s art pioneers – Barry Flanagan (1941-2009). Achieving international renown for his...

  Review - In The Tomb of the Unknown Craftsman, Turner Prize-winning artist Grayson Perry invites us on a pilgrimage: saluting the ‘travel’...

Panorama - Tate Modern's most exciting and significant exhibition this year Gerhard Richter stated today – at the opening of his major retrospective...

Review - Pipilotti Rist’s new exhibition at Hayward, ‘Eyeball Massage’, is an aptly named sight for sore eyes. This major survey show, the first of...