What’s On

27 November 2025 – 12 April 2026

Tate Britain presents the first major exhibition to explore the intertwined lives and legacies of Britain’s most revered landscape artists: JMW Turner (1775–1851) and John Constable (1776–1837).

Radically different painters and personalities, each challenged artistic conventions of the time, developing ways of picturing the world which still resonate today. Marking the 250th anniversaries of their births, this exhibition traces the development of their careers in parallel, revealing how they were celebrated, criticised and pitted against each other, and how this pushed them to new and original artistic visions. It features over 190 paintings and works on paper, from Turner’s momentous 1835 The Burning of the Houses of Lords and Commons, lent by the Cleveland Museum of Art and not seen in Britain for over 60 years, to The White Horse 1819, one of Constable’s greatest artistic achievements, last exhibited in London two decades ago.

Monday to Sunday 10.00–18.00

£24

Victorious Cupid, on special loan from the Gemäldegalerie in Berlin and never-before-seen in public in the UK, is the centrepiece of this exhibition. It is presented with two ancient Roman sculptures that, more than four hundred years ago, belonged to the same distinguished collection.

All three works belonged to Marchese Vincenzo Giustiniani (1564–1637), one of the most celebrated collectors of his day. In his grand palazzo near the Pantheon in Rome, Caravaggio’s Cupid was displayed with other works by Raphael, Titian and Giorgione, as well as an extensive gallery of classical sculpture. Life-size and painted from nature, Cupid stands with wings spread, arrows in hand and with a playful smile, surrounded by the fallen symbols of human achievement.

This free exhibition invites visitors to enter the world of 17th-century Rome, where artists, scholars and collectors debated the merits of painting and sculpture. The exhibition recreates the spirit of Giustiniani’s palace, bringing together ancient sculpture and Caravaggio’s startling vision in the way his guests would once have experienced it.

7 November 2025 – 10 May 2026

‘Wright of Derby: From the Shadows’ is the first major exhibition dedicated to the British artist’s ‘candlelight’ paintings.

Illuminated faces gather around a variety of objects – from classical sculptures and scientific instruments to bones, bladders and animals. Through his unflinching scenes of people watching, Wright of Derby proposes moral questions about acts of looking. The strong light and deep shadows create drama, reminding us of great painters from earlier centuries like Caravaggio.

Challenging the traditionally held view of Wright of Derby as a figurehead of the Enlightenment, this exhibition contributes to the ongoing re-evaluation of the artist, portraying him not merely as a ‘painter of light’. More than virtuoso scenes of dramatic light and shade, Wright of Derby used the night-time to explore deeper and more sombre themes, including death, melancholy, morality, scepticism and the sublime.

With over twenty works, including other paintings, mezzotints, works on paper and objects the exhibition explores both Wright of Derby’s artistic practice and the historic context of scientific and artistic development in which they were made.

Lead image:

Joseph Wright of Derby, A Philosopher Giving That Lecture on the Orrery in Which a Lamp Is Put in Place, 1764-1766

Derby Museum and Art Gallery (1884-168) © Derby Museums

7 November 2025 – 28 February 2026

Annely Juda Fine Art announces its inaugural exhibition at the gallery’s new space on Hanover Square with works by David Hockney.  Opening in early November 2025, the exhibition will debut a series of new paintings alongside the first full presentation in the UK of Hockney’s “The Moon Room”.

Hockney’s fourteenth exhibition at the gallery, and following his celebrated exhibition at Fondation Louis Vuitton, Paris this summer, this show will debut never-seen-before paintings completed in his London studio over the last six months, underpinning Hockney’s unwavering commitment to and vigour for the act of painting and cementing him as perhaps the most iconic artist of today.

These very, very, very new paintings mark the most developed stage yet in Hockney’s dedication to ‘reverse perspective’ in paint. For decades, Hockney has observed that traditional linear perspective in art and photography doesn’t reflect how humans actually see: we have peripheral vision, we move and we constantly generate multiple viewpoints. Viewing is therefore not static, but dynamic and experiential. It’s not an inversion of perspective that interests Hockney, but an expansion of the possibilities of representation. In these recent canvases, which depict colourful interior scenes, he disrupts planar perspective and engineers multiple vanishing points in a single picture, bringing us closer to the lived experience of perception.

The show will also include “The Moon Room”, comprising 15 iPad paintings of the night sky. The moon works were created in 2020 outside Hockney’s Normandy studio in France throughout the seasons and, just as previous iPad works have, these works capture a joy in nature, this time brightly illuminated by moonlight.  Influences of Van Gogh are present, yet Hockney’s signature use of line and colour is unmistakable.  With the ability to paint easily en plein air, Hockney enjoys the speed with which he can capture light with the iPad, evident in the luminosity of these works.

10 October 2025 – 15 February 2026

A major exhibition of the trailblazing surrealist photographer Lee Miller.

With the most extensive retrospective of her photography yet staged in the UK, Tate Britain celebrates Lee Miller as one of the 20th century’s most urgent artistic voices.

First exposed to a camera by working in front of it, Miller was one of the most sought-after models of the late 1920s. She quickly stepped behind the lens, becoming a leading figure in the avant-garde scenes in New York, Paris, London and Cairo.

The exhibition will showcase Miller’s extraordinary career, from her participation in French surrealism to her fashion and war photography. Exploring her artistic collaborations, the exhibition will also shed light on lesser-known sides of her practice, such as her remarkable images of the Egyptian landscape in the 1930s.

With around 250 vintage and modern prints, including those never previously displayed, the exhibition reveals Miller’s poetic vision and fearless spirit.

Determined to forge her own path, she later commented, ‘It was a matter of getting out on a damn limb and sawing it off behind you.’

10 October 2025 – 8 February 2026

Serpentine presents a new project by Peter Doig that explores the role of music, film, and sites of communal gathering, listening and creative exchange within his practice.

Transforming the gallery into a listening space, House of Music brings together recent paintings and, for the first time, integrates sound into Doig’s work. The exhibition features two sets of rare, restored analogue speakers, originally designed for cinemas and large auditoriums. Music selected by the artist – from his substantial archive of vinyl records and cassette tapes accumulated over decades – plays through a set of ‘high fidelity’ 1950s wooden Klangfilm Euronor speakers.

Each painting in the exhibition engages with music in a different way: some depict spaces where music is played or heard, others show musicians performing or people dancing. Many of the works were created during Doig’s years in Trinidad (2002–21), a period that deepened his relationship with music through sound-system culture and cinema. Blending personal memory, found photographs, and imagined scenes, these paintings are shaped by the wider cultural context of Trinidad. The exhibition will also feature new paintings that Doig created specifically for this show in his London studio.

8 October 2025 – 10 May 2026

Explore the artists who revolutionised modern art in Nigeria in the mid-20th century.

Set against the backdrop of cultural and artistic rebellion, Nigerian Modernism celebrates the achievements of Nigerian artists working before and after the decade of national independence from British colonial rule in 1960.

Nigerian Modernism tells the story of artistic networks that spanned Zaria, Ibadan, Lagos, and Enugu, as well as London, Munich, and Paris. Through groups like the Zaria Art Society and Mbari Artists’ and Writers’ Club, they fused Nigerian, African and European techniques and traditions to create vibrant, multidimensional works.

Explore a diverse range of paintings, sculpture, textiles and poetry from over 50 artists including Uzo Egonu, El Anatsui, Ladi Kwali and Ben Enwonwu MBE.

List of artists:

Jonathan Adagogo Green, Tayo Adenaike, Jacob Afolabi, Adebisi Akanji, Justus D. Akeredolu, Jimo Akolo, El Anatsui, Chike C. Aniakor, Abayomi Barber, Georgina Beier, Alexander “Skunder” Boghossian, Jimoh Buraimoh, Avinash Chandra, Nike Davies-Okundaye, Ndidi Dike, Uzo Egonu, Ibrahim El-Salahi, Afi Ekong, Erhabor Emokpae, Ben Enwonwu, Sir Jacob Epstein, Clara Etso Ugbodaga-Ngu, Okpu Eze, Adebisi Fabunmi, Agboola Folarin, Buraimoh Gbadamosi, Sàngódáre Gbádégesin Àjàlá, Yusuf Grillo, Felix Idubor, Solomon Irein Wangboje, Ladi Kwali, Akinola Lasekan, Jacob Lawrence, Valente Malangatana, Naoko Matsubara, Demas Nwoko, Olu Oguibe, Rufus Ogundele, J.D Ojeikere, Emmanuel Okechukwu Odita, Simon Okeke, Uche Okeke, Olowe of Ise, Asiru Olatunde, Lamidi Olonade Fakeye, Oseloka Okwudili Osadebe, Aina Onabolu, Bruce Onobrakpeya, Ben Osawe, Muraina Oyelami, Ru van Rossem, Karl Schmidt-Rottluff, Gerard Sekoto, Twins Seven Seven, Ahmad Shibrain, F.N. Souza, Ada Udechukwu, Obiora Udechukwu, Etso Clara Ugbodaga-Ngu and Susanne Wenger.

17 September 2025 – 12 April 2026

Experience Picasso’s works in a new way with an exhibition staged by contemporary artists.

Pablo Picasso was fascinated by performers and their ability to transform. He was inspired by the dancers, entertainers and bullfighters he painted. He borrowed from them to create his own public persona: Picasso, the Artist.

Marking the centenary of his famous painting The Three Dancers, this exhibition, staged by celebrated contemporary artist Wu Tsang and author and curator Enrique Fuenteblanca, sheds new light on Picasso’s work. They will transform the exhibition space into a theatre for displaying over 45 works by Picasso from Tate’s collection, alongside key European loans. This includes paintings, sculpture, textile and works on paper, some never seen in the UK before.

Through his persona, Picasso cultivated a myth surrounding himself as both a celebrated artist and an outsider. The way that he did this can be examined through the contemporary idea of ‘performativity’ – how words and actions can effect change and form identity. This persona was always fascinated by alternative lives and the tension between popular culture and the avant-garde. It accompanied him throughout his life and continues to shape how we imagine the role of the artist today.

10 September 2025 – 8 February 2026

When critics first saw Georges Seurat’s new style of painting, they thought it might bring about the death of painting itself. But what was it about artists like Paul Signac, Anna Boch, Jan Toorop and Henri-Edmond Cross that ruffled so many feathers?

Neo-Impressionists painted in small dots of pure colour. Viewed from a distance, the colours blend to create nuanced tones and an illusion of light. Now known as pointillism, this technique simplified form and played with colour in an entirely new way, verging on the edge of abstraction.

Alongside this exciting approach to colour, their style went hand-in-hand with radical political ideas. They captured late 19th-century European society through luminous landscapes, portraits and interior scenes, while also depicting the struggles faced by the working class, in reaction against the industrial age.

Most of the paintings in the exhibition were collected by Helene Kröller-Müller, one of the first great women art patrons of the 20th century. She assembled the most comprehensive ensemble of Neo-Impressionist paintings in the world. Collected with the aim of being publicly accessible, these works now form part of the Kröller-Müller Museum in the Netherlands, which Helene Kröller-Muller founded.