12 January 2023
14 September 2022
Carolee Schneemann Breaking Artistic Boundaries At The Barbican – Sue Hubbard
Until the 1960s, America and Britain, both recovering from the effects of war, were largely conservative, hidebound and patriarchal societies. This makes the work of the American artist Carolee Schneemann (1939-2019), now on show at the Barbican in the first major survey and the first show since her death, all the more remarkable. For before Feminism was even a thing, she was breaking artistic and social boundaries.
7 September 2022
Carolee Schneemann: Feminism Performance Body Politics And Painting – Barbican
Carolee Schneemann: Body Politics is the first survey in the UK of the work of American artist Carolee Schneemann (1939-2019) and the first major exhibition since she died in 2019.
31 August 2022
Ten London Art Exhibitions Autumn 2022
London comes into its own in Autumn with the opening of a whole array of exciting exhibitions, fairs and auctions. Artlyst has put together a list of ten art exhibitions presented in our world-class galleries and museums.
30 August 2022
7 February 2022
25 August 2021
2 January 2021
8 October 2020
20 February 2020
Masculinities: An Extremely Interesting, Timely Event – Edward Lucie-Smith
After a plethora of exhibitions featuring women, women’s art, women’s attitudes of the world, it comes as a relief to find a big London show that is all about men.
15 December 2019
3 September 2019
20 March 2019
28 August 2018
23 April 2018
3 January 2018
4 October 2016
Major Jean-Michel Basquiat Exhibition Announced For London’s Barbican
The first large-scale exhibition in the UK of work by the American artist Jean-Michel Basquiat (1960—1988) has been announced for the Barbican.
14 February 2013
Marcel Duchamp: Relevance, Indifference And The Next Generation of Proteges
For Marcel Duchamp, the cracks that appeared in his work The Large Glass (The Bride Stripped Bare by Her Bachelors, Even) during transit in 1926 were nothing more than a happy accident – a continuation of the tangles of replication and infinite adjustment, a further debunking of the role of the artist and his divine […]