23 May 2022
Les Lalanne, Schütte And Gursky London Spring Exhibition Highlights – Revd Jonathan Evens
Les Lalanne, the late French wife and husband artistic duo, are the dreamers who re-enchant.
23 November 2021
Magnus Plessen: Artist Interview of the Month December 2021 – Paul Carey-Kent
The German painter Magnus Plessen tends to paint in thematic groups: in 2016, he showed his ‘1914-1918’ series in London
28 September 2021
Ibrahim Mahama: Interview of the Month, October 2021 – Paul Carey-Kent
Ibrahim Mahama came to international attention for his monumental installation of jute sacks at the Venice Biennale in 2015
28 June 2021
Rachel Kneebone: A Complex Tableau Of Organic And Geometric Forms – Revd Jonathan Evens
Rachel Kneebone, “I am excited and delighted to be showing 399 Days in the YSP Chapel, a space that resonates in a special way with my work
11 October 2020
Entwining Spiritualism And Art – Three Shows – Revd Jonathan Evens
Once upon a time in modernism, the interlacing of art and religion was rendered invisible. Art was not just for art’s sake but was exclusively about art. For Clement Greenberg and his followers, art that was pure and autonomous was art that was self-critical and self-defining.
10 September 2020
8 June 2020
London’s Galleries And Auction Houses To Reopen From 15 June
The first of the London mega galleries have announced they are to reopen after a three-month lockdown period. White Cube and Gagosian will open by timed appointment to comply with social distancing measures from next week.
25 November 2019
Anselm Kiefer: Everything is connected – Jude Cowan Montague
White Cube, in this instance, seems the perfect place for this exhibition. So perfect I feel it is over-designed. The perspex boxes of wires, cables are too perfectly matching, autumnal; this could be a fashion collection doesn’t Vogue recommend this kind of palette at this time of year, in tweed? Browns, rusts with a splash of turquoise? Nothing vulgar. Nothing synthetic. Organic colours.
29 September 2019
Mona Hatoum: Emotional Formalism – Jude Cowan Montague
Burnt-out domesticity. Chicken-wire with burnt-black wood wedged inside in the shape of the chair.
22 September 2019
Damien Hirst Butterfly Genocide – White Cube – Edward Lucie-Smith
Damien Hirst’s show Mandalas, at White Cube Mason’s Yard, has already attracted indignant commentary in The Times. Rachel Campbell-Johnson’s review
29 August 2019
16 April 2019
7 March 2019
7 February 2019
Tracey Emin: Personal Real And Imaginative – Jude Cowan Montague
I visited the white, white cube for the Emin show a day after the people-jammed preview opening. I’m a little allergic to crowds so rely on the Facebook grapevine for a feel of how sardine-packed the gallery felt. With queues stretching around the block.
24 January 2019
16 January 2019
13 December 2018
Tracey Emin: A Fortnight of Tears – New Exhibition Announced By White Cube
Tracey Emin has a new show titled ‘A Fortnight of Tears’ opening in early 2019 at White Cube Bermondsey.
13 November 2018
24 September 2018
15 August 2018
1 August 2018
White Cube Summer A Whiter Shade Of Pale – Edward Lucie-Smith
Memory Palace, an anthology exhibition currently occupying both White Cube spaces, the big one in Bermondsey and the smaller one in Mason’s Yard St James’s
2 July 2018
22 May 2018
19 March 2018
20 February 2018
Eddie Peake: Compulsive Obsessional And Occasionally Shit-Scared – By Zoltan Alexander
Anything but a conventional artist, Eddie Peake is a footballer, a musician, a dancer, a graffiti guy covered with spray-paint
8 January 2018
8 January 2018
8 January 2018
25 September 2017
Society Running on Empty at White Cube by Edward Lucie-Smith
From the Vapor of Gasoline, the odd title of the new mixed exhibition at White Cube Mason’s Yard comes from a slogan Jean-Michel Basquiat scrawled across one of his paintings. The phrase, so the exhibition list tells one ‘conjures [up] a society running on empty’. That may well be so, but one has to remember that the painting concerned was produced in 1985, more than thirty years ago, at the very height of Basquiat’s success in the New York art world, then much closer to being globally dominant than it is now.
28 August 2017